Framing the concept of transcendence, this study covers over a dozen traditional African American works in an original and thought-provoking analysis that places canonical approaches in enlightened discourse with Africana studies reader-response priorities.
Framing the concept of transcendence, this study covers over a dozen traditional African American works in an original and thought-provoking analysis that places canonical approaches in enlightened discourse with Africana studies reader-response priorities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
By Christel N. Temple - Foreword by Molefi Kete Asante
Inhaltsangabe
Introduction: The Canon and the Africana Worldview 1. Literary Africology 2. Twentieth Century Black Lives Mattered: Male Mortality in The Souls of Black Folk and The Living Is Easy 3. "Can't the Race Stand a Joke": Humor and Pan-African Folk Negotiation in Banjo 4. Africana Literary Methods and the Bibliographic Shift in Iola Leroy and The Street 5. Autobiography and Documentary Forms of Here I Stand as Black Cultural Mythology 6. A Raisin in the Sun and the Tradition of Literary Pan-Africanism 7. Ma Rainey's Black Bottom and the Demographic Literary Standard 8. The Parable of the Sower's Earthseed as Black Liberation Theology 9. Self-Eulogy as Prophetic Afro-Futurism in Narratives of John Henrik Clarke and Malcolm X 10. Maat and the Psychology of Justice in the Morrisonesque Community of Perfect Peace 11. Beyoncé? No. Lauryn Hill? Yes: Interludes of Womanist Hip Hop and the Traditional Activist Genre 12. Broadway as Text: Africana History on Stage in Hamilton and Aida 13. Image and Verse, Music and Media: Diasporic Performance of Cultural Memory Conclusion: An Atmosphere of Freedom
Introduction: The Canon and the Africana Worldview 1. Literary Africology 2. Twentieth Century Black Lives Mattered: Male Mortality in The Souls of Black Folk and The Living Is Easy 3. "Can't the Race Stand a Joke": Humor and Pan-African Folk Negotiation in Banjo 4. Africana Literary Methods and the Bibliographic Shift in Iola Leroy and The Street 5. Autobiography and Documentary Forms of Here I Stand as Black Cultural Mythology 6. A Raisin in the Sun and the Tradition of Literary Pan-Africanism 7. Ma Rainey's Black Bottom and the Demographic Literary Standard 8. The Parable of the Sower's Earthseed as Black Liberation Theology 9. Self-Eulogy as Prophetic Afro-Futurism in Narratives of John Henrik Clarke and Malcolm X 10. Maat and the Psychology of Justice in the Morrisonesque Community of Perfect Peace 11. Beyoncé? No. Lauryn Hill? Yes: Interludes of Womanist Hip Hop and the Traditional Activist Genre 12. Broadway as Text: Africana History on Stage in Hamilton and Aida 13. Image and Verse, Music and Media: Diasporic Performance of Cultural Memory Conclusion: An Atmosphere of Freedom
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