The second edition of Friedman's stage history of Shakespeareâ s Titus Andronicus adds an examination of twelve major theatrical productions and one film that appeared in the years 1989-2009, identifying four lines of descent in the recent performance history of the play: the stylised, realistic, darkly comic, and political approaches. -- .
The second edition of Friedman's stage history of Shakespeareâ s Titus Andronicus adds an examination of twelve major theatrical productions and one film that appeared in the years 1989-2009, identifying four lines of descent in the recent performance history of the play: the stylised, realistic, darkly comic, and political approaches. -- .
Michael D. Friedman is a Professor of English in the McDade Center for Literary and Performing Arts at the University of Scranton
Inhaltsangabe
Part 1 Introduction I From Edward Ravenscroft to Peter Brook II To stylise or not to stylise III Trusting the script: Deborah Warner at the Swan IV Problems then and now V The sense of an ending Conclusion: What price Titus? Part 2 Segue I Jeannette Lambermont, Daniel Mesguich, and Michael Maggio II Peter Stein and Silviu Purcarete III Gregory Doran IV Julie Taymor: 1994 and 1999 V Yukio Ninagawa, Bill Alexander, Gale Edwards, Richard Rose, and Lucy Bailey Epilogue: Looking toward the future Appendix: Major actors and staff for productions discussed in this volume Bibliography Index
Part 1 Introduction I From Edward Ravenscroft to Peter Brook II To stylise or not to stylise III Trusting the script: Deborah Warner at the Swan IV Problems then and now V The sense of an ending Conclusion: What price Titus? Part 2 Segue I Jeannette Lambermont, Daniel Mesguich, and Michael Maggio II Peter Stein and Silviu Purcarete III Gregory Doran IV Julie Taymor: 1994 and 1999 V Yukio Ninagawa, Bill Alexander, Gale Edwards, Richard Rose, and Lucy Bailey Epilogue: Looking toward the future Appendix: Major actors and staff for productions discussed in this volume Bibliography Index
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