Exploring Veenapani Chawla's contribution to modern Indian theatre, this book opens a window to the creative genius of one of the foremost experimental theatre exponents of modern India.
Exploring Veenapani Chawla's contribution to modern Indian theatre, this book opens a window to the creative genius of one of the foremost experimental theatre exponents of modern India.
Shanta Gokhale, formerly Arts Editor, The Times of India (Mumbai), is a well-known writer and translator.
Inhaltsangabe
Dedication Acknowledgements Foreword by Mahesh Elkunchawar PART ONE: BEGINNINGS 1. The Mumbai Years Shanta Gokhale 2. Kunti and the Human Voice Alaknanda Samarth and Veenapani Chawla PART TWO: THE ADISHAKTI CAMPUS AND TEAM 1. Architecture and Theatre Veenapani Chawla 2. The Good Earth Geeta Doctor 3. Home for Theatre Himanshu Burte 4. The Core Team Shanta Gokhale 5. Come, Work with Me Sara Joseph PART THREE: ALL ABOUT SOURCES 1. Conversations with Leela: All About Sources Leela Gandhi Interviews Veenapani Chawla PART FOUR: THEORY AND PRACTICE 1. Theatre Research and Laboratory Outside the Urb Veenapani Chawla 2. Adishakti and its Performance Techniques Veenapani Chawla 3. Space and the Actor Veenapani Chawla PART FIVE: PERFORMANCE TEXTS, REVIEWS, AND INTERVIEWS 1. Impressions of Bhima: Performance Text Veenapani Chawla 2. Review: Impressivley Funny Keval Arora 3. Brhanalla: Performance Text Veenapani Chawla 4. Brhannala: Two Liminal Moments Veenapani Chawla 5. Review: An Alternative to Western Theatre Clarissa Oon 6. Review: The Power of Image Maura Nguyen Donohue 7. Ganapati: Performance Text Veenapani Chawla 8. Review: Inspired by Tradition Leela Venkatraman 9. Review: Thoughts on Creativity and Cultural Politics M.D. Muthukumaraswamy 10. The Hare and the Tortoise: Performance Text Veenapani Chawla 11. From Aesop to Hamlet: Interview Anmol Vellani PART SIX: WORKSHOPS 1. Hollow as a Drum: Actor Training at Adishakti Joy Brooke Fairfield 2. Source of Performance Energy Ram Ganesh Kamatham PART SEVEN: THE RAMAYANA FESTIVAL 1. The Ramayana from Multiple Perspectives Devina Dutt 2. The Last Word Shanta Gokhale Appendices Postscript by Shanta Gokhale Bibliography About the Editor and Contributors
Dedication Acknowledgements Foreword by Mahesh Elkunchawar PART ONE: BEGINNINGS 1. The Mumbai Years Shanta Gokhale 2. Kunti and the Human Voice Alaknanda Samarth and Veenapani Chawla PART TWO: THE ADISHAKTI CAMPUS AND TEAM 1. Architecture and Theatre Veenapani Chawla 2. The Good Earth Geeta Doctor 3. Home for Theatre Himanshu Burte 4. The Core Team Shanta Gokhale 5. Come, Work with Me Sara Joseph PART THREE: ALL ABOUT SOURCES 1. Conversations with Leela: All About Sources Leela Gandhi Interviews Veenapani Chawla PART FOUR: THEORY AND PRACTICE 1. Theatre Research and Laboratory Outside the Urb Veenapani Chawla 2. Adishakti and its Performance Techniques Veenapani Chawla 3. Space and the Actor Veenapani Chawla PART FIVE: PERFORMANCE TEXTS, REVIEWS, AND INTERVIEWS 1. Impressions of Bhima: Performance Text Veenapani Chawla 2. Review: Impressivley Funny Keval Arora 3. Brhanalla: Performance Text Veenapani Chawla 4. Brhannala: Two Liminal Moments Veenapani Chawla 5. Review: An Alternative to Western Theatre Clarissa Oon 6. Review: The Power of Image Maura Nguyen Donohue 7. Ganapati: Performance Text Veenapani Chawla 8. Review: Inspired by Tradition Leela Venkatraman 9. Review: Thoughts on Creativity and Cultural Politics M.D. Muthukumaraswamy 10. The Hare and the Tortoise: Performance Text Veenapani Chawla 11. From Aesop to Hamlet: Interview Anmol Vellani PART SIX: WORKSHOPS 1. Hollow as a Drum: Actor Training at Adishakti Joy Brooke Fairfield 2. Source of Performance Energy Ram Ganesh Kamatham PART SEVEN: THE RAMAYANA FESTIVAL 1. The Ramayana from Multiple Perspectives Devina Dutt 2. The Last Word Shanta Gokhale Appendices Postscript by Shanta Gokhale Bibliography About the Editor and Contributors
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