Drawing on ethnographic research including interviews with artists at some of Tokyo's leading animation studios, Ian Condry focuses attention on the collective social energy that has made anime a global cultural phenomenon.
Drawing on ethnographic research including interviews with artists at some of Tokyo's leading animation studios, Ian Condry focuses attention on the collective social energy that has made anime a global cultural phenomenon.
Ian Condry is Associate Professor of Comparative Media Studies at the Massachusetts Institute of Technology. He is the author of Hip-Hop Japan: Rap and the Paths of Cultural Globalization, also published by Duke University Press.
Inhaltsangabe
Note on Translations and Names ix Introduction. Who Makes Anime? 1 1. Collaborative Networks, Personal Futures 35 2. Characters and Worlds as Creative Platforms 54 3. Early Directions in Postwar Anime 85 4. When Anime Robots Became Real 112 5. Making a Cutting-Edge Anime Studio: The Value of the Gutter 135 6. Dark Energy: What Overseas Fans Reveal about the Copyright Wars 161 7. Love Revolution: Otaku Fans in Japan 185 Conclusion. Future Anime: Collaborative Creativity and Cultural Action 204 Acknowledgments 218 Notes 221 References 227 Index 237
Note on Translations and Names ix Introduction. Who Makes Anime? 1 1. Collaborative Networks, Personal Futures 35 2. Characters and Worlds as Creative Platforms 54 3. Early Directions in Postwar Anime 85 4. When Anime Robots Became Real 112 5. Making a Cutting-Edge Anime Studio: The Value of the Gutter 135 6. Dark Energy: What Overseas Fans Reveal about the Copyright Wars 161 7. Love Revolution: Otaku Fans in Japan 185 Conclusion. Future Anime: Collaborative Creativity and Cultural Action 204 Acknowledgments 218 Notes 221 References 227 Index 237
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