The Press in Prison is a Scalawag Media guidebook for journalists. Illuminating the need for incarcerated voices in journalism, this guide is intended to increase newsroom competency and capacity to work with writers on the inside, integrating reporting from prison into regular reporting cycles.
The Press in Prison is a Scalawag Media guidebook for journalists. Illuminating the need for incarcerated voices in journalism, this guide is intended to increase newsroom competency and capacity to work with writers on the inside, integrating reporting from prison into regular reporting cycles.
Lovey Cooper is the Managing Editor of Scalawag. She is based in Durham, North Carolina. Emily Nonko is a social justice and solutions-oriented reporter based in Brooklyn, New York. She is an organizer with Empowerment Avenue, a program supporting incarcerated writers. Danielle Purifoy is an assistant professor of Geography at The University of North Carolina at Chapel Hill. She is the former Race and Place editor of Scalawag.
Inhaltsangabe
1A. Freedom of the press in prison By Lovey Cooper & Scalawag Editors 1B. Doing the (internal) work By Danielle Purifoy 2A. Exploring the existing models: Ways to start working with incarcerated writers By Rahsaan "New York" Thomas 2B. The anatomy of a story: The interpersonal work of co-reporting By Christopher Blackwell & Jessica Schulberg 2C. Nuts and bolts: Best practices and bad habits 2D. How to pay incarcerated writers for their work By Emily Nonko 3A. Retaliation against incarcerated writers By Lyle C. May 3B. Developing a career from prison: It takes a team By Lyle C. May 3C. Editors’ power to level the playing field By Jessica Sylvia 4. Sustaining the work long term: More resources and next steps
1A. Freedom of the press in prison By Lovey Cooper & Scalawag Editors 1B. Doing the (internal) work By Danielle Purifoy 2A. Exploring the existing models: Ways to start working with incarcerated writers By Rahsaan "New York" Thomas 2B. The anatomy of a story: The interpersonal work of co-reporting By Christopher Blackwell & Jessica Schulberg 2C. Nuts and bolts: Best practices and bad habits 2D. How to pay incarcerated writers for their work By Emily Nonko 3A. Retaliation against incarcerated writers By Lyle C. May 3B. Developing a career from prison: It takes a team By Lyle C. May 3C. Editors’ power to level the playing field By Jessica Sylvia 4. Sustaining the work long term: More resources and next steps
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