The Routledge Handbook of Women's Work in Music
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The Routledge Handbook of Women¿s Work in Music presents a unique collection of core research, engaging with wide range of topics on women¿s contributions (both historical and present-day) to Western and Eastern art music, popular music, world music, music education, ethnomusicology, music technology as well as in the music industries.
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The Routledge Handbook of Women¿s Work in Music presents a unique collection of core research, engaging with wide range of topics on women¿s contributions (both historical and present-day) to Western and Eastern art music, popular music, world music, music education, ethnomusicology, music technology as well as in the music industries.
Produktdetails
- Produktdetails
- Routledge Music Handbooks
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 466
- Erscheinungstermin: 31. Dezember 2021
- Englisch
- Abmessung: 180mm x 252mm x 35mm
- Gewicht: 1006g
- ISBN-13: 9780367192099
- ISBN-10: 0367192098
- Artikelnr.: 62574271
- Routledge Music Handbooks
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 466
- Erscheinungstermin: 31. Dezember 2021
- Englisch
- Abmessung: 180mm x 252mm x 35mm
- Gewicht: 1006g
- ISBN-13: 9780367192099
- ISBN-10: 0367192098
- Artikelnr.: 62574271
Rhiannon Mathias is a lecturer and music fellow at Bangor University, UK, and director of the International Conferences on Women¿s Work in Music (2017, 2019, 2021, Bangor University).
Editor
s Introduction Part I: Challenging Gender Inequalities 1. Sophie Fuller, Grace, Betty, Maude and Me: 30 Years of Fighting for Women Composers 2. Susan Wollenberg, `Where Are We Now?
: Teaching and Studying Women Composers post-Citron 3. Helen Elizabeth Davies, `Because I
m a Girl
: Exploring Experiences, Practices and Challenges Relating to Gender and Sexuality for Female Musicians in Popular Music Higher Education 4. Emily Doolittle, Composer, Mother 5. Stephen Wilford, `The Algerian woman is very strong
: Music, Identity and Gender in Algerian London 6. Valentine Harding, In Search of the Field: Reflections on an Ethnomusicological Project in India 7. Christina Homer, Women
s Work in Ethnomusicology: Alternative Spaces Part II: (Re)Discoveries 8. Zaina Shihabi, A Brief Historical and Sociological Examination of Twentieth-Century Arab Women Composers and Performers in Egypt 9. Sally Macarthur, The Rise and Rise of Women in Australian Composition 10. Susan Clauson-Elliott, Women Composers and the Proms: The First 100 Years (1895
1994) 11. Claudia Chibici-Revneanu, Chasing María Teresa Lara: An Autoethnographic Account of Trying to Recuperate the Story of a `Lost
Woman Composer 12. Joanna Schiller-Rydzewska, The Artistic Path and Achievement of Polish Composer Ewa Synowiec 13. Eva M. Maschke, Composer, Performer, Teacher: Jeanne Barbillion (1895-1992) and the Schola Cantorum de Paris 14. Elisabeth Honn Hoegberg, How Theocritus Sang: Eleanor Everest Freer
s Sonnets from the Portuguese 15. Rhian Davies, A Life in Fragments: Morfydd Owen (1891
1918) Part III: Aesthetics and Music Creation 16. Rebecka Sofia Ahvenniemi, Overcoming the `Male Gaze
of Music: Towards Renewed Compositional Strategies 17. Isabel Nogueira, Voices, Sounds and Herstories: Constructing Feminist Research in Experimental Music 18. Angela Elizabeth Slater, Invisible Canons: A Reflective Commentary on the Formation of my Personal Canon of Women Composers 19. Lucy Hollingworth, Storytelling in Autoethnography
The Poetess 20. J. Michele Edwards, Chen Yi: Trauma, Myths, and Representation 21. Laura Dallman, Considering Autonomy and Collaboration in Three Concerti by Jennifer Higdon 22. Ji Yeon Lee, Decoding the Riddle: The Tea-Party Scene in Unsuk Chin
s Alice in Wonderland 23. David Forrest, Kate Bush
s Uncanny Harmonic Language Part IV: Performance and Reception 24. Bella Powell, Notions of Virtuosity, Female Accomplishment, and the Violin as Forbidden Instrument in Early-Mid Nineteenth-Century England 25. Nuppu Koivisto, Visitors from `the Merry Town by the Danube
: Viennese Ladies
Orchestras, Public Image and Variety Shows in Finland from 1870 to 1914 26. Maren Bagge, Women Song Composers and the London Ballad Concerts 27. Ivette Janet Céspedes Gómez, Sara Gonzáles: A Different Song About Women 28. Grace Takyi Donkor, Changing Roles of Women in the Gospel Music Performance Space in Ghana 29. Maree Sheehan, M
ori Women at the Forefront of Aotearoa/New Zealand Music in the Mid 1980s and Early 1990s 30. Li-ming Pan, The Stereotypical Image and Body Representation of Taiwanese Female Musicians Part V: Opportunities and Leadership in the Music Professions 31. Jessica Duchen, Climb Every Mountain 32. Edwina Wolstencroft, Celebrating Women Composers on BBC Radio 3 33. Miia Laine, Contested Spaces: Gender Dynamics in Independent Radio Stations in London 34. Karlyn King, `And her voice is a backwards record
: The Gendering of Phonograph Technology 35. Carolyn Watson, Cracks in the Glass Ceiling: Women Conductors, New Trends, Old Challenges 36. Frances Novillo, Personal Reflections on Professional Experience of Women
s Liturgical Leadership as Musicians in the Roman Catholic Church 37. Gabriela Sanchez Diaz, Re-Mapping and Connecting Bodies of Women Musicians Part VI: New Perspectives on Women
s Work in Music 38. Yuemin He, Materiality, Editorship and Canonisation in Wang Duanshüs Collection of Elegance (1667) 39. Jennifer Cable, Mary Carlisle Howe (1882
1964) and Adella Prentiss Hughes (1869
1950): Creating an Arts Culture in America, One Woman at a Time 40. Elina G. Hamilton, Louise Hanson-Dyer (1884
1962): Patroness of Music Publishing 41. Lia Lonnert and Helen Davies Mikkelborg, Lady Llanover and the Swedish Connection: A Welsh Musical Legacy 42. Jessica Beck, The Women Musicians of the British Ethical Movement, 1887
1927 43. Kirstie Alison Muldoon, The Role of Women in Irish Music Institutions in the Early Twentieth Century 44. Helen C. Thomas, The Beedle-Carter Correspondence: An Analysis of the Cultural Work Undertaken by Maureen Beedle to Promote Elliott Carter
s Music in the UK and Europe
s Introduction Part I: Challenging Gender Inequalities 1. Sophie Fuller, Grace, Betty, Maude and Me: 30 Years of Fighting for Women Composers 2. Susan Wollenberg, `Where Are We Now?
: Teaching and Studying Women Composers post-Citron 3. Helen Elizabeth Davies, `Because I
m a Girl
: Exploring Experiences, Practices and Challenges Relating to Gender and Sexuality for Female Musicians in Popular Music Higher Education 4. Emily Doolittle, Composer, Mother 5. Stephen Wilford, `The Algerian woman is very strong
: Music, Identity and Gender in Algerian London 6. Valentine Harding, In Search of the Field: Reflections on an Ethnomusicological Project in India 7. Christina Homer, Women
s Work in Ethnomusicology: Alternative Spaces Part II: (Re)Discoveries 8. Zaina Shihabi, A Brief Historical and Sociological Examination of Twentieth-Century Arab Women Composers and Performers in Egypt 9. Sally Macarthur, The Rise and Rise of Women in Australian Composition 10. Susan Clauson-Elliott, Women Composers and the Proms: The First 100 Years (1895
1994) 11. Claudia Chibici-Revneanu, Chasing María Teresa Lara: An Autoethnographic Account of Trying to Recuperate the Story of a `Lost
Woman Composer 12. Joanna Schiller-Rydzewska, The Artistic Path and Achievement of Polish Composer Ewa Synowiec 13. Eva M. Maschke, Composer, Performer, Teacher: Jeanne Barbillion (1895-1992) and the Schola Cantorum de Paris 14. Elisabeth Honn Hoegberg, How Theocritus Sang: Eleanor Everest Freer
s Sonnets from the Portuguese 15. Rhian Davies, A Life in Fragments: Morfydd Owen (1891
1918) Part III: Aesthetics and Music Creation 16. Rebecka Sofia Ahvenniemi, Overcoming the `Male Gaze
of Music: Towards Renewed Compositional Strategies 17. Isabel Nogueira, Voices, Sounds and Herstories: Constructing Feminist Research in Experimental Music 18. Angela Elizabeth Slater, Invisible Canons: A Reflective Commentary on the Formation of my Personal Canon of Women Composers 19. Lucy Hollingworth, Storytelling in Autoethnography
The Poetess 20. J. Michele Edwards, Chen Yi: Trauma, Myths, and Representation 21. Laura Dallman, Considering Autonomy and Collaboration in Three Concerti by Jennifer Higdon 22. Ji Yeon Lee, Decoding the Riddle: The Tea-Party Scene in Unsuk Chin
s Alice in Wonderland 23. David Forrest, Kate Bush
s Uncanny Harmonic Language Part IV: Performance and Reception 24. Bella Powell, Notions of Virtuosity, Female Accomplishment, and the Violin as Forbidden Instrument in Early-Mid Nineteenth-Century England 25. Nuppu Koivisto, Visitors from `the Merry Town by the Danube
: Viennese Ladies
Orchestras, Public Image and Variety Shows in Finland from 1870 to 1914 26. Maren Bagge, Women Song Composers and the London Ballad Concerts 27. Ivette Janet Céspedes Gómez, Sara Gonzáles: A Different Song About Women 28. Grace Takyi Donkor, Changing Roles of Women in the Gospel Music Performance Space in Ghana 29. Maree Sheehan, M
ori Women at the Forefront of Aotearoa/New Zealand Music in the Mid 1980s and Early 1990s 30. Li-ming Pan, The Stereotypical Image and Body Representation of Taiwanese Female Musicians Part V: Opportunities and Leadership in the Music Professions 31. Jessica Duchen, Climb Every Mountain 32. Edwina Wolstencroft, Celebrating Women Composers on BBC Radio 3 33. Miia Laine, Contested Spaces: Gender Dynamics in Independent Radio Stations in London 34. Karlyn King, `And her voice is a backwards record
: The Gendering of Phonograph Technology 35. Carolyn Watson, Cracks in the Glass Ceiling: Women Conductors, New Trends, Old Challenges 36. Frances Novillo, Personal Reflections on Professional Experience of Women
s Liturgical Leadership as Musicians in the Roman Catholic Church 37. Gabriela Sanchez Diaz, Re-Mapping and Connecting Bodies of Women Musicians Part VI: New Perspectives on Women
s Work in Music 38. Yuemin He, Materiality, Editorship and Canonisation in Wang Duanshüs Collection of Elegance (1667) 39. Jennifer Cable, Mary Carlisle Howe (1882
1964) and Adella Prentiss Hughes (1869
1950): Creating an Arts Culture in America, One Woman at a Time 40. Elina G. Hamilton, Louise Hanson-Dyer (1884
1962): Patroness of Music Publishing 41. Lia Lonnert and Helen Davies Mikkelborg, Lady Llanover and the Swedish Connection: A Welsh Musical Legacy 42. Jessica Beck, The Women Musicians of the British Ethical Movement, 1887
1927 43. Kirstie Alison Muldoon, The Role of Women in Irish Music Institutions in the Early Twentieth Century 44. Helen C. Thomas, The Beedle-Carter Correspondence: An Analysis of the Cultural Work Undertaken by Maureen Beedle to Promote Elliott Carter
s Music in the UK and Europe
Editor
s Introduction Part I: Challenging Gender Inequalities 1. Sophie Fuller, Grace, Betty, Maude and Me: 30 Years of Fighting for Women Composers 2. Susan Wollenberg, `Where Are We Now?
: Teaching and Studying Women Composers post-Citron 3. Helen Elizabeth Davies, `Because I
m a Girl
: Exploring Experiences, Practices and Challenges Relating to Gender and Sexuality for Female Musicians in Popular Music Higher Education 4. Emily Doolittle, Composer, Mother 5. Stephen Wilford, `The Algerian woman is very strong
: Music, Identity and Gender in Algerian London 6. Valentine Harding, In Search of the Field: Reflections on an Ethnomusicological Project in India 7. Christina Homer, Women
s Work in Ethnomusicology: Alternative Spaces Part II: (Re)Discoveries 8. Zaina Shihabi, A Brief Historical and Sociological Examination of Twentieth-Century Arab Women Composers and Performers in Egypt 9. Sally Macarthur, The Rise and Rise of Women in Australian Composition 10. Susan Clauson-Elliott, Women Composers and the Proms: The First 100 Years (1895
1994) 11. Claudia Chibici-Revneanu, Chasing María Teresa Lara: An Autoethnographic Account of Trying to Recuperate the Story of a `Lost
Woman Composer 12. Joanna Schiller-Rydzewska, The Artistic Path and Achievement of Polish Composer Ewa Synowiec 13. Eva M. Maschke, Composer, Performer, Teacher: Jeanne Barbillion (1895-1992) and the Schola Cantorum de Paris 14. Elisabeth Honn Hoegberg, How Theocritus Sang: Eleanor Everest Freer
s Sonnets from the Portuguese 15. Rhian Davies, A Life in Fragments: Morfydd Owen (1891
1918) Part III: Aesthetics and Music Creation 16. Rebecka Sofia Ahvenniemi, Overcoming the `Male Gaze
of Music: Towards Renewed Compositional Strategies 17. Isabel Nogueira, Voices, Sounds and Herstories: Constructing Feminist Research in Experimental Music 18. Angela Elizabeth Slater, Invisible Canons: A Reflective Commentary on the Formation of my Personal Canon of Women Composers 19. Lucy Hollingworth, Storytelling in Autoethnography
The Poetess 20. J. Michele Edwards, Chen Yi: Trauma, Myths, and Representation 21. Laura Dallman, Considering Autonomy and Collaboration in Three Concerti by Jennifer Higdon 22. Ji Yeon Lee, Decoding the Riddle: The Tea-Party Scene in Unsuk Chin
s Alice in Wonderland 23. David Forrest, Kate Bush
s Uncanny Harmonic Language Part IV: Performance and Reception 24. Bella Powell, Notions of Virtuosity, Female Accomplishment, and the Violin as Forbidden Instrument in Early-Mid Nineteenth-Century England 25. Nuppu Koivisto, Visitors from `the Merry Town by the Danube
: Viennese Ladies
Orchestras, Public Image and Variety Shows in Finland from 1870 to 1914 26. Maren Bagge, Women Song Composers and the London Ballad Concerts 27. Ivette Janet Céspedes Gómez, Sara Gonzáles: A Different Song About Women 28. Grace Takyi Donkor, Changing Roles of Women in the Gospel Music Performance Space in Ghana 29. Maree Sheehan, M
ori Women at the Forefront of Aotearoa/New Zealand Music in the Mid 1980s and Early 1990s 30. Li-ming Pan, The Stereotypical Image and Body Representation of Taiwanese Female Musicians Part V: Opportunities and Leadership in the Music Professions 31. Jessica Duchen, Climb Every Mountain 32. Edwina Wolstencroft, Celebrating Women Composers on BBC Radio 3 33. Miia Laine, Contested Spaces: Gender Dynamics in Independent Radio Stations in London 34. Karlyn King, `And her voice is a backwards record
: The Gendering of Phonograph Technology 35. Carolyn Watson, Cracks in the Glass Ceiling: Women Conductors, New Trends, Old Challenges 36. Frances Novillo, Personal Reflections on Professional Experience of Women
s Liturgical Leadership as Musicians in the Roman Catholic Church 37. Gabriela Sanchez Diaz, Re-Mapping and Connecting Bodies of Women Musicians Part VI: New Perspectives on Women
s Work in Music 38. Yuemin He, Materiality, Editorship and Canonisation in Wang Duanshüs Collection of Elegance (1667) 39. Jennifer Cable, Mary Carlisle Howe (1882
1964) and Adella Prentiss Hughes (1869
1950): Creating an Arts Culture in America, One Woman at a Time 40. Elina G. Hamilton, Louise Hanson-Dyer (1884
1962): Patroness of Music Publishing 41. Lia Lonnert and Helen Davies Mikkelborg, Lady Llanover and the Swedish Connection: A Welsh Musical Legacy 42. Jessica Beck, The Women Musicians of the British Ethical Movement, 1887
1927 43. Kirstie Alison Muldoon, The Role of Women in Irish Music Institutions in the Early Twentieth Century 44. Helen C. Thomas, The Beedle-Carter Correspondence: An Analysis of the Cultural Work Undertaken by Maureen Beedle to Promote Elliott Carter
s Music in the UK and Europe
s Introduction Part I: Challenging Gender Inequalities 1. Sophie Fuller, Grace, Betty, Maude and Me: 30 Years of Fighting for Women Composers 2. Susan Wollenberg, `Where Are We Now?
: Teaching and Studying Women Composers post-Citron 3. Helen Elizabeth Davies, `Because I
m a Girl
: Exploring Experiences, Practices and Challenges Relating to Gender and Sexuality for Female Musicians in Popular Music Higher Education 4. Emily Doolittle, Composer, Mother 5. Stephen Wilford, `The Algerian woman is very strong
: Music, Identity and Gender in Algerian London 6. Valentine Harding, In Search of the Field: Reflections on an Ethnomusicological Project in India 7. Christina Homer, Women
s Work in Ethnomusicology: Alternative Spaces Part II: (Re)Discoveries 8. Zaina Shihabi, A Brief Historical and Sociological Examination of Twentieth-Century Arab Women Composers and Performers in Egypt 9. Sally Macarthur, The Rise and Rise of Women in Australian Composition 10. Susan Clauson-Elliott, Women Composers and the Proms: The First 100 Years (1895
1994) 11. Claudia Chibici-Revneanu, Chasing María Teresa Lara: An Autoethnographic Account of Trying to Recuperate the Story of a `Lost
Woman Composer 12. Joanna Schiller-Rydzewska, The Artistic Path and Achievement of Polish Composer Ewa Synowiec 13. Eva M. Maschke, Composer, Performer, Teacher: Jeanne Barbillion (1895-1992) and the Schola Cantorum de Paris 14. Elisabeth Honn Hoegberg, How Theocritus Sang: Eleanor Everest Freer
s Sonnets from the Portuguese 15. Rhian Davies, A Life in Fragments: Morfydd Owen (1891
1918) Part III: Aesthetics and Music Creation 16. Rebecka Sofia Ahvenniemi, Overcoming the `Male Gaze
of Music: Towards Renewed Compositional Strategies 17. Isabel Nogueira, Voices, Sounds and Herstories: Constructing Feminist Research in Experimental Music 18. Angela Elizabeth Slater, Invisible Canons: A Reflective Commentary on the Formation of my Personal Canon of Women Composers 19. Lucy Hollingworth, Storytelling in Autoethnography
The Poetess 20. J. Michele Edwards, Chen Yi: Trauma, Myths, and Representation 21. Laura Dallman, Considering Autonomy and Collaboration in Three Concerti by Jennifer Higdon 22. Ji Yeon Lee, Decoding the Riddle: The Tea-Party Scene in Unsuk Chin
s Alice in Wonderland 23. David Forrest, Kate Bush
s Uncanny Harmonic Language Part IV: Performance and Reception 24. Bella Powell, Notions of Virtuosity, Female Accomplishment, and the Violin as Forbidden Instrument in Early-Mid Nineteenth-Century England 25. Nuppu Koivisto, Visitors from `the Merry Town by the Danube
: Viennese Ladies
Orchestras, Public Image and Variety Shows in Finland from 1870 to 1914 26. Maren Bagge, Women Song Composers and the London Ballad Concerts 27. Ivette Janet Céspedes Gómez, Sara Gonzáles: A Different Song About Women 28. Grace Takyi Donkor, Changing Roles of Women in the Gospel Music Performance Space in Ghana 29. Maree Sheehan, M
ori Women at the Forefront of Aotearoa/New Zealand Music in the Mid 1980s and Early 1990s 30. Li-ming Pan, The Stereotypical Image and Body Representation of Taiwanese Female Musicians Part V: Opportunities and Leadership in the Music Professions 31. Jessica Duchen, Climb Every Mountain 32. Edwina Wolstencroft, Celebrating Women Composers on BBC Radio 3 33. Miia Laine, Contested Spaces: Gender Dynamics in Independent Radio Stations in London 34. Karlyn King, `And her voice is a backwards record
: The Gendering of Phonograph Technology 35. Carolyn Watson, Cracks in the Glass Ceiling: Women Conductors, New Trends, Old Challenges 36. Frances Novillo, Personal Reflections on Professional Experience of Women
s Liturgical Leadership as Musicians in the Roman Catholic Church 37. Gabriela Sanchez Diaz, Re-Mapping and Connecting Bodies of Women Musicians Part VI: New Perspectives on Women
s Work in Music 38. Yuemin He, Materiality, Editorship and Canonisation in Wang Duanshüs Collection of Elegance (1667) 39. Jennifer Cable, Mary Carlisle Howe (1882
1964) and Adella Prentiss Hughes (1869
1950): Creating an Arts Culture in America, One Woman at a Time 40. Elina G. Hamilton, Louise Hanson-Dyer (1884
1962): Patroness of Music Publishing 41. Lia Lonnert and Helen Davies Mikkelborg, Lady Llanover and the Swedish Connection: A Welsh Musical Legacy 42. Jessica Beck, The Women Musicians of the British Ethical Movement, 1887
1927 43. Kirstie Alison Muldoon, The Role of Women in Irish Music Institutions in the Early Twentieth Century 44. Helen C. Thomas, The Beedle-Carter Correspondence: An Analysis of the Cultural Work Undertaken by Maureen Beedle to Promote Elliott Carter
s Music in the UK and Europe