John Kucich, Jenny Bourne Taylor
Oxford History of the Novel in English
Volume 3: The Nineteenth-Century Novel 1820-1880
John Kucich, Jenny Bourne Taylor
Oxford History of the Novel in English
Volume 3: The Nineteenth-Century Novel 1820-1880
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Volume 3 of The Oxford History of the Novel in English traces how many narrative genres, conventions, and preoccupations associated with Victorian fiction emerged and developed as the novel became established at the centre of British national culture. It includes sections on book history, major authors, and contemporary contexts.
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Volume 3 of The Oxford History of the Novel in English traces how many narrative genres, conventions, and preoccupations associated with Victorian fiction emerged and developed as the novel became established at the centre of British national culture. It includes sections on book history, major authors, and contemporary contexts.
Produktdetails
- Produktdetails
- Verlag: Sydney University Press
- Seitenzahl: 608
- Erscheinungstermin: 13. Januar 2012
- Englisch
- Abmessung: 256mm x 184mm x 42mm
- Gewicht: 1183g
- ISBN-13: 9780199560615
- ISBN-10: 0199560617
- Artikelnr.: 33606053
- Verlag: Sydney University Press
- Seitenzahl: 608
- Erscheinungstermin: 13. Januar 2012
- Englisch
- Abmessung: 256mm x 184mm x 42mm
- Gewicht: 1183g
- ISBN-13: 9780199560615
- ISBN-10: 0199560617
- Artikelnr.: 33606053
John Kucich is a Professor of English at Rutgers, the State University of New Jersey. He has written numerous books and essays on nineteenth-century literature and culture. His publications include Excess and Restraint in the Novels of Charles Dickens (Georgia, 1981), Repression in Victorian Fiction: Charlotte Bronte, George Eliot, and Charles Dickens (California, 1987), The Power of Lies: Transgression in Victorian Fiction (Cornell, 1994), and Imperial Masochism: British Fiction, Fantasy, and Social Class (Princeton, 2007). He has also edited, with Dianne F. Sadoff, Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century (Minnesota, 2000). ; Jenny Bourne Taylor is a Professor of English at the University of Sussex. She has written widely on nineteenth-century literature and culture. Her publication include (with Sally Shuttleworth) Embodied Selves: An Anthology of Psychological Texts (Clarendon, 1998), and ed., with Margot Finn and Michael Lobba
Acknowledgments
List of Contributors
List of Illustrations
List of Tables
General Editor's Preface
Introduction
Editorial Note
Note on British Currency before Decimalization
Part I: Novelists, Readers, and the Fiction Industry
1: Joanne Shattock: The Publishing Industry
2: Deborah Wynne: Readers and Reading Practices
3: Graham Law: The Professionalization of Authorship
Part II: Varieties and Genres
4: Richard Maxwell: The Historical Novel
5: Deborah Lutz: Gothic Fictions in the Nineteenth Century
6: Richard Salmon: The English Bildungsroman
7: Dianne F. Sadoff: The Silver Fork Novel
8: Heather Worthington: The Newgate Novel
9: Nancy Armstrong: The Sensation Novel
10: Claudia Nelson: Children's Fiction
11: Susan Fraiman: The Domestic Novel
Part III: Major Authors in Context
12: Lyn Pykett: Charles Dickens: The Novelist as Public Figure
13: John Bowen: The Brontës and the Transformations of Romanticism
14: Dinah Birch: George Eliot and Intellectual Culture
Part IV: Narrative Structures and Strategies
15: Jenny Bourne Taylor: Short Fiction and the Novel
16: Jenny Bourne Taylor and John Kucich: Multiple Narrators and Multiple Plots
17: Rachel Ablow: Addressing the Reader: The Autobiographical Voice
18: Nicholas Dames: Realism and Theories of the Novel
19: David Kurnick: Theatricality and the Novel
20: Lucy Hartley: Aesthetic Theories
Part V: The Nation and its Boundaries
21: John Kucich: Modernization and the Organic Society
22: Josephine McDonagh: Place, Region, and Migration
23: Elaine Freedgood: The Novel and Empire
24: James Buzzard: Nationalism and National Identities
25: Margaret Cohen: International Influences
Part VI: Contemporary Contexts
26: Ella Dzelzanis: Radicalism and Reform
27: Lauren Goodlad: Parliament and the State
28: Cannon Schmitt: Science and the Novel
29: Norman Vance: Religion and the Novel
30: Michael Davis: Psychology and the Idea of Character
31: Cora Kaplan: Gender Identities and Relationships
Bibliography
List of Contributors
List of Illustrations
List of Tables
General Editor's Preface
Introduction
Editorial Note
Note on British Currency before Decimalization
Part I: Novelists, Readers, and the Fiction Industry
1: Joanne Shattock: The Publishing Industry
2: Deborah Wynne: Readers and Reading Practices
3: Graham Law: The Professionalization of Authorship
Part II: Varieties and Genres
4: Richard Maxwell: The Historical Novel
5: Deborah Lutz: Gothic Fictions in the Nineteenth Century
6: Richard Salmon: The English Bildungsroman
7: Dianne F. Sadoff: The Silver Fork Novel
8: Heather Worthington: The Newgate Novel
9: Nancy Armstrong: The Sensation Novel
10: Claudia Nelson: Children's Fiction
11: Susan Fraiman: The Domestic Novel
Part III: Major Authors in Context
12: Lyn Pykett: Charles Dickens: The Novelist as Public Figure
13: John Bowen: The Brontës and the Transformations of Romanticism
14: Dinah Birch: George Eliot and Intellectual Culture
Part IV: Narrative Structures and Strategies
15: Jenny Bourne Taylor: Short Fiction and the Novel
16: Jenny Bourne Taylor and John Kucich: Multiple Narrators and Multiple Plots
17: Rachel Ablow: Addressing the Reader: The Autobiographical Voice
18: Nicholas Dames: Realism and Theories of the Novel
19: David Kurnick: Theatricality and the Novel
20: Lucy Hartley: Aesthetic Theories
Part V: The Nation and its Boundaries
21: John Kucich: Modernization and the Organic Society
22: Josephine McDonagh: Place, Region, and Migration
23: Elaine Freedgood: The Novel and Empire
24: James Buzzard: Nationalism and National Identities
25: Margaret Cohen: International Influences
Part VI: Contemporary Contexts
26: Ella Dzelzanis: Radicalism and Reform
27: Lauren Goodlad: Parliament and the State
28: Cannon Schmitt: Science and the Novel
29: Norman Vance: Religion and the Novel
30: Michael Davis: Psychology and the Idea of Character
31: Cora Kaplan: Gender Identities and Relationships
Bibliography
Acknowledgments
List of Contributors
List of Illustrations
List of Tables
General Editor's Preface
Introduction
Editorial Note
Note on British Currency before Decimalization
Part I: Novelists, Readers, and the Fiction Industry
1: Joanne Shattock: The Publishing Industry
2: Deborah Wynne: Readers and Reading Practices
3: Graham Law: The Professionalization of Authorship
Part II: Varieties and Genres
4: Richard Maxwell: The Historical Novel
5: Deborah Lutz: Gothic Fictions in the Nineteenth Century
6: Richard Salmon: The English Bildungsroman
7: Dianne F. Sadoff: The Silver Fork Novel
8: Heather Worthington: The Newgate Novel
9: Nancy Armstrong: The Sensation Novel
10: Claudia Nelson: Children's Fiction
11: Susan Fraiman: The Domestic Novel
Part III: Major Authors in Context
12: Lyn Pykett: Charles Dickens: The Novelist as Public Figure
13: John Bowen: The Brontës and the Transformations of Romanticism
14: Dinah Birch: George Eliot and Intellectual Culture
Part IV: Narrative Structures and Strategies
15: Jenny Bourne Taylor: Short Fiction and the Novel
16: Jenny Bourne Taylor and John Kucich: Multiple Narrators and Multiple Plots
17: Rachel Ablow: Addressing the Reader: The Autobiographical Voice
18: Nicholas Dames: Realism and Theories of the Novel
19: David Kurnick: Theatricality and the Novel
20: Lucy Hartley: Aesthetic Theories
Part V: The Nation and its Boundaries
21: John Kucich: Modernization and the Organic Society
22: Josephine McDonagh: Place, Region, and Migration
23: Elaine Freedgood: The Novel and Empire
24: James Buzzard: Nationalism and National Identities
25: Margaret Cohen: International Influences
Part VI: Contemporary Contexts
26: Ella Dzelzanis: Radicalism and Reform
27: Lauren Goodlad: Parliament and the State
28: Cannon Schmitt: Science and the Novel
29: Norman Vance: Religion and the Novel
30: Michael Davis: Psychology and the Idea of Character
31: Cora Kaplan: Gender Identities and Relationships
Bibliography
List of Contributors
List of Illustrations
List of Tables
General Editor's Preface
Introduction
Editorial Note
Note on British Currency before Decimalization
Part I: Novelists, Readers, and the Fiction Industry
1: Joanne Shattock: The Publishing Industry
2: Deborah Wynne: Readers and Reading Practices
3: Graham Law: The Professionalization of Authorship
Part II: Varieties and Genres
4: Richard Maxwell: The Historical Novel
5: Deborah Lutz: Gothic Fictions in the Nineteenth Century
6: Richard Salmon: The English Bildungsroman
7: Dianne F. Sadoff: The Silver Fork Novel
8: Heather Worthington: The Newgate Novel
9: Nancy Armstrong: The Sensation Novel
10: Claudia Nelson: Children's Fiction
11: Susan Fraiman: The Domestic Novel
Part III: Major Authors in Context
12: Lyn Pykett: Charles Dickens: The Novelist as Public Figure
13: John Bowen: The Brontës and the Transformations of Romanticism
14: Dinah Birch: George Eliot and Intellectual Culture
Part IV: Narrative Structures and Strategies
15: Jenny Bourne Taylor: Short Fiction and the Novel
16: Jenny Bourne Taylor and John Kucich: Multiple Narrators and Multiple Plots
17: Rachel Ablow: Addressing the Reader: The Autobiographical Voice
18: Nicholas Dames: Realism and Theories of the Novel
19: David Kurnick: Theatricality and the Novel
20: Lucy Hartley: Aesthetic Theories
Part V: The Nation and its Boundaries
21: John Kucich: Modernization and the Organic Society
22: Josephine McDonagh: Place, Region, and Migration
23: Elaine Freedgood: The Novel and Empire
24: James Buzzard: Nationalism and National Identities
25: Margaret Cohen: International Influences
Part VI: Contemporary Contexts
26: Ella Dzelzanis: Radicalism and Reform
27: Lauren Goodlad: Parliament and the State
28: Cannon Schmitt: Science and the Novel
29: Norman Vance: Religion and the Novel
30: Michael Davis: Psychology and the Idea of Character
31: Cora Kaplan: Gender Identities and Relationships
Bibliography