Jonathan F. S. Post is Distinguished Professor of English at UCLA and the founding director of the UCLA Summer Shakespeare Program in Stratford and London. He is the author of a number of critical studies with a special focus on poetry of the early modern and modern periods--most recently English Lyric Poetry: The Early Seventeenth Century (1999), and Green Thoughts, Green Shades: Contemporary Poets on the Early Modern Lyric (2002). He is currently writing a critical study of Anthony Hecht's poetry for Oxford University Press. He has been a Fellow of the Folger Shakespeare Library, The National Endowment for the Humanities, The John Simon Guggenheim Foundation, and twice a Fellow of the Bogliasco Foundation. He chaired the UCLA English Department from 1989-1993.
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* Preface * Part I: Style and Language * 1: Gordon Teskey: Shakespeare's Styles * 2: Goran Stanivukovic: Shakespeare's Style in The 1590s * 3: R. Braunmuller: Shakespeare's Late Style * 4: Sophie Read: Shakespeare and the Arts of Cognition * 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies of Wordplay in Some Shakespearean Numbers * Part II: Inheritance and Invention * 6: Colin Burrow: Classical Influences * 7: Anthony Mortimer: Shakespeare and Italian Poetry * 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets * 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare * 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and Shakespeare * 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity, and the Poetics of Increase in Shake-speares Sonnets and Troilus and Cressida * 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in Shakespeare s Poems and Plays * 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640 * Part III: Songs, Lyrics, and Ballads * 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency * 15: Steven Newman: Shakespeare's Popular Songs and The Great Temptations of Lesser Lyric * Part IV: Speaking on Stage * 16: Abigail Rokison: Shakespeare's Dramatic Verse Line * 17: Paul Edmondson: Shakespeare's Word Music * 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse * 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the modern Shakespearean stage * 20: Alison Findlay: Make my image but an alehouse sign : The Poetry of Women in Shakespeare s Drama * V. Reading Shakespeare s Poems * 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing, and Performing in the Narrative Poems * 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the disorienting narrative of Venus and Adonis * 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece * 24: David Sofield: The Sonnets in the Classroom: Student, Teacher, Editor-Annotator(s), and Cruxes * 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and Rhyming Effects in Shakespeare's Sonnets * 26: David Schalkwyk: The Conceptual Investigations of Sonnets * 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan Architecture, and Early Modern Visual Design * 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in Shakespeare's Sonnets and 'A Lover's Complaint' * 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A Lover's Complaint' * 30: John Kerrigan: Reading 'The Phoenix and Turtle' * VI: Later Reflections * 31: Michael O Neill: Shakespearean Poetry and the Romantics * 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard * 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary Poet * 34: James Longenbach: The Sound of Shakespeare Thinking * 35: Judith Hall: Melted in American Air * VII: Translating Shakespeare * 36: Efraín Kristal: Yves Bonnefoy and Shakespeare * 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in Germany * 38: Belén Bistué: Negotiating the Universal: Translations of Shakespeare s Poetry In (Between) Spain and Spanish America
* Preface * Part I: Style and Language * 1: Gordon Teskey: Shakespeare's Styles * 2: Goran Stanivukovic: Shakespeare's Style in The 1590s * 3: R. Braunmuller: Shakespeare's Late Style * 4: Sophie Read: Shakespeare and the Arts of Cognition * 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies of Wordplay in Some Shakespearean Numbers * Part II: Inheritance and Invention * 6: Colin Burrow: Classical Influences * 7: Anthony Mortimer: Shakespeare and Italian Poetry * 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets * 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare * 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and Shakespeare * 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity, and the Poetics of Increase in Shake-speares Sonnets and Troilus and Cressida * 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in Shakespeare s Poems and Plays * 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640 * Part III: Songs, Lyrics, and Ballads * 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency * 15: Steven Newman: Shakespeare's Popular Songs and The Great Temptations of Lesser Lyric * Part IV: Speaking on Stage * 16: Abigail Rokison: Shakespeare's Dramatic Verse Line * 17: Paul Edmondson: Shakespeare's Word Music * 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse * 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the modern Shakespearean stage * 20: Alison Findlay: Make my image but an alehouse sign : The Poetry of Women in Shakespeare s Drama * V. Reading Shakespeare s Poems * 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing, and Performing in the Narrative Poems * 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the disorienting narrative of Venus and Adonis * 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece * 24: David Sofield: The Sonnets in the Classroom: Student, Teacher, Editor-Annotator(s), and Cruxes * 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and Rhyming Effects in Shakespeare's Sonnets * 26: David Schalkwyk: The Conceptual Investigations of Sonnets * 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan Architecture, and Early Modern Visual Design * 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in Shakespeare's Sonnets and 'A Lover's Complaint' * 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A Lover's Complaint' * 30: John Kerrigan: Reading 'The Phoenix and Turtle' * VI: Later Reflections * 31: Michael O Neill: Shakespearean Poetry and the Romantics * 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard * 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary Poet * 34: James Longenbach: The Sound of Shakespeare Thinking * 35: Judith Hall: Melted in American Air * VII: Translating Shakespeare * 36: Efraín Kristal: Yves Bonnefoy and Shakespeare * 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in Germany * 38: Belén Bistué: Negotiating the Universal: Translations of Shakespeare s Poetry In (Between) Spain and Spanish America
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