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The Illustrated Aladdin' is a collection of exquisite illustrations gathered together in one beautiful book for all to love and treasure. Escape to the world of The Arabian Nights as we cast a new light on this enchanting and enduring fairy tale. The classic rags-to-riches tale of young Aladdin and his adventures with his wonderful lamp has captured the imagination of artists for centuries. Pook Press has collected 120 illustrations by twenty different artists from the period of the 'Golden Age of Illustration', some dating as far back as 1859. The result is a remarkable treasure trove of…mehr

Produktbeschreibung
The Illustrated Aladdin' is a collection of exquisite illustrations gathered together in one beautiful book for all to love and treasure. Escape to the world of The Arabian Nights as we cast a new light on this enchanting and enduring fairy tale. The classic rags-to-riches tale of young Aladdin and his adventures with his wonderful lamp has captured the imagination of artists for centuries. Pook Press has collected 120 illustrations by twenty different artists from the period of the 'Golden Age of Illustration', some dating as far back as 1859. The result is a remarkable treasure trove of artistic delights from celebrated illustrators such as Arthur Rackham, Edmund Dulac, Walter Crane, Milo Winter, and H.G. Theaker. From character to character, scene to scene, there is always something new to discover. Follow Aladdin on his magical adventure to pursue the love of his life, aided by his wish-granting Genies. We hope you enjoy the journey.
Autorenporträt
Andrew Lang (1844 - 1912) was a Scottish poet, novelist, literary critic and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Lang is now chiefly known for his publications on folklore, mythology and religion. The interest in folklore was from early life; he read John Ferguson McLennan before coming to Oxford, and then was influenced by E. B. Tylor. The earliest of his publications is Custom and Myth (1884). In Myth, Ritual and Religion (1887) he explained the "irrational" elements of mythology as survivals from more primitive forms. Lang's Making of Religion was heavily influenced by the 18th century idea of the "noble savage": in it, he maintained the existence of high spiritual ideas among so-called "savage" races, drawing parallels with the contemporary interest in occult phenomena in England. His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections. Lang examined the origins of totemism in Social Origins (1903).