Through close readings of poems covering the span of Georg Trakl's lyric output, this study traces the evolution of his strangely mild and beautiful vision of the end of days.
Through close readings of poems covering the span of Georg Trakl's lyric output, this study traces the evolution of his strangely mild and beautiful vision of the end of days.
INTRODUCTION CHAPTER 1: TAPPING THE MELODIES WITHIN: SAMMLUNG 1909 Horror and Inspiration in Vienna Sammlung 1909 "Die tote Kirche" "Blutschuld" "Naturtheater" "Von den stillen Tagen" "Herbst" "Das Grauen" "Drei Träume" "Nachtlied" Characteristics of the Phase-One Poems CHAPTER 2: POETRY THAT SAYS AND MEANS MORE: GEDICHTE The Origins of Gedichte between Salzburg and Innsbruck Dating Gedichte: From Reihungsstil to Free Verse "A Bunch of Wildflowers": Trakl's Arrangement of Gedichte "Musik im Mirabell" "Im Herbst" "Die Raben" "Heiterer Frühling" "Allerseelen" "Romanze zur Nacht" "Traum des Bösen" "Winkel am Wald" "Psalm" "Verwandlung" "In ein altes Stammbuch" "Trompeten" "Helian" "An den Knaben Elis" Characteristics of the Phase-Two and Early Phase-Three Poems CHAPTER 3: SONGS FROM THE WRONG END OF HISTORY: SEBASTIAN IM TRAUM Between Melancholy and Drunkenness: Composing Sebastian im Traum Parallel Arrangements? Röck's Gedichte and Trakl's Sebastian im Traum "Untergang" "Der Herbst des Einsamen" "Afra" "Abend in Lans" "Sebastian im Traum" "Verwandlung des Bösen" "Abendländisches Lied" "Siebengesang des Todes" "Gesang des Abgeschiedenen" "Vorhölle" Characteristics of the Middle and Late Phase-Three Poems CHAPTER 4: REFLECTIONS OF AN UNHOLY AGE: "VERÖFFENTLICHUNGEN IM BRENNER 1914/15" The Final Months: Departures, Hopes, Catastrophes "Das Herz" "Die Nacht" "Im Osten" "Klage" "Grodek" Characteristics of the Phase-Four Poems AFTERWORD NOTES WORKS CITED INDEX
INTRODUCTION CHAPTER 1: TAPPING THE MELODIES WITHIN: SAMMLUNG 1909 Horror and Inspiration in Vienna Sammlung 1909 "Die tote Kirche" "Blutschuld" "Naturtheater" "Von den stillen Tagen" "Herbst" "Das Grauen" "Drei Träume" "Nachtlied" Characteristics of the Phase-One Poems CHAPTER 2: POETRY THAT SAYS AND MEANS MORE: GEDICHTE The Origins of Gedichte between Salzburg and Innsbruck Dating Gedichte: From Reihungsstil to Free Verse "A Bunch of Wildflowers": Trakl's Arrangement of Gedichte "Musik im Mirabell" "Im Herbst" "Die Raben" "Heiterer Frühling" "Allerseelen" "Romanze zur Nacht" "Traum des Bösen" "Winkel am Wald" "Psalm" "Verwandlung" "In ein altes Stammbuch" "Trompeten" "Helian" "An den Knaben Elis" Characteristics of the Phase-Two and Early Phase-Three Poems CHAPTER 3: SONGS FROM THE WRONG END OF HISTORY: SEBASTIAN IM TRAUM Between Melancholy and Drunkenness: Composing Sebastian im Traum Parallel Arrangements? Röck's Gedichte and Trakl's Sebastian im Traum "Untergang" "Der Herbst des Einsamen" "Afra" "Abend in Lans" "Sebastian im Traum" "Verwandlung des Bösen" "Abendländisches Lied" "Siebengesang des Todes" "Gesang des Abgeschiedenen" "Vorhölle" Characteristics of the Middle and Late Phase-Three Poems CHAPTER 4: REFLECTIONS OF AN UNHOLY AGE: "VERÖFFENTLICHUNGEN IM BRENNER 1914/15" The Final Months: Departures, Hopes, Catastrophes "Das Herz" "Die Nacht" "Im Osten" "Klage" "Grodek" Characteristics of the Phase-Four Poems AFTERWORD NOTES WORKS CITED INDEX
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