This cultural history provides an examination of the Federal Theatre Project in the American South during the New Deal era. It analyzes the role of racial segregation and conservative politics, how the project drew from distinct regional heritages, and how it shaped successive generations' debates over government, art, and cultural expression.
This cultural history provides an examination of the Federal Theatre Project in the American South during the New Deal era. It analyzes the role of racial segregation and conservative politics, how the project drew from distinct regional heritages, and how it shaped successive generations' debates over government, art, and cultural expression.
Cecelia Moore is university historian at the University of North Carolina at Chapel Hill.
Inhaltsangabe
Chapter 1: Regionalism Drama and Relief Chapter 2: Opportunities and Limitations: Community Theatres in Raleigh Chapter 3: The Lost Colony: Community Regionalism and the Common Man Chapter 4: What Happens to Playwrights Chapter 5: The Limits of Regionalism
Chapter 1: Regionalism Drama and Relief Chapter 2: Opportunities and Limitations: Community Theatres in Raleigh Chapter 3: The Lost Colony: Community Regionalism and the Common Man Chapter 4: What Happens to Playwrights Chapter 5: The Limits of Regionalism
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