The Faith of a (Woman) Writer
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Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Each of the thirty-four essays, contributed by some of today's most distinguished writers, speaks to the work of a particular twentieth-century woman writer, and each constitutes a contribution to the scholarly debate. Questions are raised as to the appropriate posture a critic should adopt, and whether a critic of…mehr

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Produktbeschreibung
Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Each of the thirty-four essays, contributed by some of today's most distinguished writers, speaks to the work of a particular twentieth-century woman writer, and each constitutes a contribution to the scholarly debate. Questions are raised as to the appropriate posture a critic should adopt, and whether a critic of women's writing should deal with the work as the product of a woman's hand, dwelling on the sensibilities of the female consciousness, or assume that the proper point of departure remains the artistic and aesthetic norms that have emerged from generations of male-defined practice.
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Autorenporträt
ALICE KESSLER-HARRIS is Professor of History at Hofstra University where she co-directs the Center for the Study of Work and Leisure. WILLIAM MCBRIEN is Professor of English at Hofstra University, and editor, of the scholarly journal, Twentieth Century Literature.