Provides a pioneering interdisciplinary overview of the literature and music of nine centuries Bringing together sixty-five newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each…mehr
Provides a pioneering interdisciplinary overview of the literature and music of nine centuries Bringing together sixty-five newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture. This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media. Delia da Sousa Correa is Senior Lecturer in English at the Open University.
Produktdetails
Produktdetails
Edinburgh Companions to Literature and the Humanities
Delia da Sousa Correa is Senior Lecturer in English at the Open University and co-convenor of the OU's Literature and Music Research Group. She studied in New Zealand, London, and Oxford and previously taught at the universities of Oxford and St Petersburg. Her research explores connections between literature and music in the Victorian and early-modernist periods.
Inhaltsangabe
List of Illustrations List of Tables Acknowledgements Introduction, Delia da Sousa Correa 1. Intertextuality, Topic Theory and the Open Text, Michael L. Klein 2. Secrets, Technology and Musical Narrative: Remarks on Method, Lawrence Kramer 3. Derrida, de Man, Barthes and Music as the Soul of Writing, Peter Dayan Part I: Literature and Music before 1500 Introduction, Ardis Butterfield, Helen Deeming and Elizabeth Eva Leach 4. Music and the Book: The Textualisation of Music and the Musicalisation of Text, Helen Deeming 5. Liturgical Music and Drama, Nils Holger Petersen 6. Intermedial Texts, Maureen Boulton 7. Citation and Quotation, Jennifer Saltzstein 8. Polytextuality, Suzannah Clark and Elizabeth Eva Leach 9. Courtly Subjectivities, Helen J. Swift and Anne Stone 10. Gender: The Art and Hermeneutics of (In)differentiation, Elizabeth Eva Leach and Nicolette Zeeman Part II: Literature and Music in the Sixteenth and Seventeenth Centuries Introduction, Ros King 11. Music and the Literature of Science in Seventeenth-Century England, Penelope Gouk 12. The 'Sister' Arts of Music and Poetry in Early Modern England, Helen Wilcox Metrical Forms and Rhythmic Effects: Music, Poetry and Song 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton, David Fuller 14. Against 'the Music of Poetry' , Robert Stagg 15. Speaking the Song: Music, Language and Emotion in Shakespeare's Cymbeline, Erin Minear Performers and Performance 16. Shakespeare's Musicians: Status and Hierarchy, B. J. Sokol 17. Best-Selling Ballads in Seventeenth-Century England, Christopher Marsh 18. Italian Performance Practices in Seventeenth-Century English Song, Elizabeth Kenny Theatre Music and Opera 19. From Tragicomedy to Opera? John Marston's Antonio and Mellida, Ros King 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy, Wendy Heller 21. All-Sung English Opera Experiments in the Seventeenth Century, Andrew Pinnock Part III: Literature and Music in the Eighteenth Century Introduction, Suzanne Aspden 22. Thomas Arne and 'Inferior' English Opera, Suzanne Aspen 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays, Reinhard Strohm 24. 'When Farce and when Musick can eke out a Play': Ballad Opera and Theatre's Commerce, Berta Joncus Oratorio 25. National Aspiration: Samson Agonistes Transformed in Handel's Samson, Ruth Smith 26. Maurice Greene and the English Church Music Tradition, Matthew Gardner Eighteenth-Century Fiction and Music 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners , Christopher Wiley 28. 'Dreadful Insanity': Jane Austen and Musical Performance, Regula Hohl Trillini 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction, Tili Boon Cuillé Music, Poetry and Song 30. Shelley's Musical Gifts, Gillen D'Arcy Wood 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert, Marshall Brown 32. The Musical Poetry of the Graveyard, Annette Richards 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song, Christopher Price Part IV: Literature and Music in the Nineteenth Century 62. 'High Fidelity', 'Added Value' and the Aesthetics of Sound Technology in Literary Modernism, Sam Halliday 63. Words in Popular Songs, Dai Griffiths 64. Notes on Soundtracked Fiction: The Past as Future, Justin St Clair Coda 65. Origins and Destinations: A Future for Literature and Music, Michael L. Klein Notes on Contributors Editorial Advisory Board Index.
List of Illustrations List of Tables Acknowledgements Introduction, Delia da Sousa Correa 1. Intertextuality, Topic Theory and the Open Text, Michael L. Klein 2. Secrets, Technology and Musical Narrative: Remarks on Method, Lawrence Kramer 3. Derrida, de Man, Barthes and Music as the Soul of Writing, Peter Dayan Part I: Literature and Music before 1500 Introduction, Ardis Butterfield, Helen Deeming and Elizabeth Eva Leach 4. Music and the Book: The Textualisation of Music and the Musicalisation of Text, Helen Deeming 5. Liturgical Music and Drama, Nils Holger Petersen 6. Intermedial Texts, Maureen Boulton 7. Citation and Quotation, Jennifer Saltzstein 8. Polytextuality, Suzannah Clark and Elizabeth Eva Leach 9. Courtly Subjectivities, Helen J. Swift and Anne Stone 10. Gender: The Art and Hermeneutics of (In)differentiation, Elizabeth Eva Leach and Nicolette Zeeman Part II: Literature and Music in the Sixteenth and Seventeenth Centuries Introduction, Ros King 11. Music and the Literature of Science in Seventeenth-Century England, Penelope Gouk 12. The 'Sister' Arts of Music and Poetry in Early Modern England, Helen Wilcox Metrical Forms and Rhythmic Effects: Music, Poetry and Song 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton, David Fuller 14. Against 'the Music of Poetry' , Robert Stagg 15. Speaking the Song: Music, Language and Emotion in Shakespeare's Cymbeline, Erin Minear Performers and Performance 16. Shakespeare's Musicians: Status and Hierarchy, B. J. Sokol 17. Best-Selling Ballads in Seventeenth-Century England, Christopher Marsh 18. Italian Performance Practices in Seventeenth-Century English Song, Elizabeth Kenny Theatre Music and Opera 19. From Tragicomedy to Opera? John Marston's Antonio and Mellida, Ros King 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy, Wendy Heller 21. All-Sung English Opera Experiments in the Seventeenth Century, Andrew Pinnock Part III: Literature and Music in the Eighteenth Century Introduction, Suzanne Aspden 22. Thomas Arne and 'Inferior' English Opera, Suzanne Aspen 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays, Reinhard Strohm 24. 'When Farce and when Musick can eke out a Play': Ballad Opera and Theatre's Commerce, Berta Joncus Oratorio 25. National Aspiration: Samson Agonistes Transformed in Handel's Samson, Ruth Smith 26. Maurice Greene and the English Church Music Tradition, Matthew Gardner Eighteenth-Century Fiction and Music 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners , Christopher Wiley 28. 'Dreadful Insanity': Jane Austen and Musical Performance, Regula Hohl Trillini 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction, Tili Boon Cuillé Music, Poetry and Song 30. Shelley's Musical Gifts, Gillen D'Arcy Wood 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert, Marshall Brown 32. The Musical Poetry of the Graveyard, Annette Richards 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song, Christopher Price Part IV: Literature and Music in the Nineteenth Century 62. 'High Fidelity', 'Added Value' and the Aesthetics of Sound Technology in Literary Modernism, Sam Halliday 63. Words in Popular Songs, Dai Griffiths 64. Notes on Soundtracked Fiction: The Past as Future, Justin St Clair Coda 65. Origins and Destinations: A Future for Literature and Music, Michael L. Klein Notes on Contributors Editorial Advisory Board Index.
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