"An engaging and well written exploration of nineteenth-century 'fictions' of white supremacy that manages to combine wit and erudition."--Gayle Wald, author of "Crossing the Line: Racial Passing in Twentieth Century U.S. Literature and Culture"
"An engaging and well written exploration of nineteenth-century 'fictions' of white supremacy that manages to combine wit and erudition."--Gayle Wald, author of "Crossing the Line: Racial Passing in Twentieth Century U.S. Literature and Culture"
Mason Stokes is Assistant Professor of English at Skidmore College.
Inhaltsangabe
Acknowledgments Introduction: White Fictions 1. “De White Man in Season” 2. Sympathy and Symmetry: The Romance of Slavery in Metta V. Victor’s Maum Guinea and her Plantation “Children” 3. Someone’s in the Garden with Eve: Race, Religion, and the American Fall 4. Charles Chesnutt and the Masturbating Boy: Onanism, Whiteness, and The Marrow of Tradition 5. White Sex: Thomas Dixon Jr. and the Erotics of White Supremacy 6. Becoming Visible: I’m White, Therefore I’m Anxious Epilogue: The Queer Face of Whiteness Notes Bibliography
Acknowledgments Introduction: White Fictions 1. “De White Man in Season” 2. Sympathy and Symmetry: The Romance of Slavery in Metta V. Victor’s Maum Guinea and her Plantation “Children” 3. Someone’s in the Garden with Eve: Race, Religion, and the American Fall 4. Charles Chesnutt and the Masturbating Boy: Onanism, Whiteness, and The Marrow of Tradition 5. White Sex: Thomas Dixon Jr. and the Erotics of White Supremacy 6. Becoming Visible: I’m White, Therefore I’m Anxious Epilogue: The Queer Face of Whiteness Notes Bibliography
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