The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. After reading this collection, lovers and skeptics of Shakespeare will better understand the historical materials that document early modern constructions of race and the contemporary performances that have altered them.
The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. After reading this collection, lovers and skeptics of Shakespeare will better understand the historical materials that document early modern constructions of race and the contemporary performances that have altered them.
1. Did the concept of race exist for Shakespeare and his contemporaries?: an introduction Ayanna Thompson; 2. The materials of race: staging the black and white binary in the early modern theatre Farah Karim-Cooper; 3. Barbarian Moors: documenting racial formation in early modern England Ambereen Dadabhoy; 4. Racist humor and Shakespearean comedy Patricia Akhimie; 5. Race in Shakespeare's histories Andrew Hadfield; 6. Race in Shakespeare's tragedies Carol Mejia LaPerle; 7. Experimental Othello Matthew Dimmock; 8. Flesh and blood: race and religion in The Merchant of Venice Dennis Austin Britton; 9. Was sexuality racialized for Shakespeare?: Antony and Cleopatra Melissa E. Sanchez; 10. The Tempest and early modern conceptions of race Virginia Mason Vaughan and Alden T. Vaughan; 11. Shakespeare, race, and globalization: Titus Andronicus Noémie Ndiaye; 12. How to think like Ira Aldridge Scott Newstok; 13. What is the history of actors of color performing in Shakespeare in the UK? Urvashi Chakravarty; 14. Actresses of color and Shakespearean performance: the question of reception Joyce Green MacDonald; 15. Othello: a performance perspective Adrian Lester; 16. Are Shakespeare's plays racially progressive? The answer is in our hands Miles Grier; 17. How have post-colonial approaches enriched Shakespeare's works? Sandra Young; 18. Is it possible to read Shakespeare through critical white studies? Arthur L. Little.
1. Did the concept of race exist for Shakespeare and his contemporaries?: an introduction Ayanna Thompson; 2. The materials of race: staging the black and white binary in the early modern theatre Farah Karim-Cooper; 3. Barbarian Moors: documenting racial formation in early modern England Ambereen Dadabhoy; 4. Racist humor and Shakespearean comedy Patricia Akhimie; 5. Race in Shakespeare's histories Andrew Hadfield; 6. Race in Shakespeare's tragedies Carol Mejia LaPerle; 7. Experimental Othello Matthew Dimmock; 8. Flesh and blood: race and religion in The Merchant of Venice Dennis Austin Britton; 9. Was sexuality racialized for Shakespeare?: Antony and Cleopatra Melissa E. Sanchez; 10. The Tempest and early modern conceptions of race Virginia Mason Vaughan and Alden T. Vaughan; 11. Shakespeare, race, and globalization: Titus Andronicus Noémie Ndiaye; 12. How to think like Ira Aldridge Scott Newstok; 13. What is the history of actors of color performing in Shakespeare in the UK? Urvashi Chakravarty; 14. Actresses of color and Shakespearean performance: the question of reception Joyce Green MacDonald; 15. Othello: a performance perspective Adrian Lester; 16. Are Shakespeare's plays racially progressive? The answer is in our hands Miles Grier; 17. How have post-colonial approaches enriched Shakespeare's works? Sandra Young; 18. Is it possible to read Shakespeare through critical white studies? Arthur L. Little.
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