An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model this title looks at how working-class people were portrayed in British feature films in the decade after the Second World War. -- .
An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model this title looks at how working-class people were portrayed in British feature films in the decade after the Second World War. -- .
Philip GIllett is a freelance researcher and writer on film
Inhaltsangabe
1. Exploring a lost cultures 2. who were the workers? 3. the guns fall silent: recollections of war 4. People don't lock their doors: the working-class community 5. Family fortunes: portrayals of the working-class family 6. Going up in the world: goodbye to the working-class 7. The wrong side of the law: who were the criminals? 8. Going to the bad: the treatment of the young offender 9. The Janus faces of the dance hall 10. Echoes of applause: from music hall to cellluloid 11. Think of the kids: the postwar child in films 12. The looking-glass world of the cinema Index
1. Exploring a lost cultures 2. who were the workers? 3. the guns fall silent: recollections of war 4. People don't lock their doors: the working-class community 5. Family fortunes: portrayals of the working-class family 6. Going up in the world: goodbye to the working-class 7. The wrong side of the law: who were the criminals? 8. Going to the bad: the treatment of the young offender 9. The Janus faces of the dance hall 10. Echoes of applause: from music hall to cellluloid 11. Think of the kids: the postwar child in films 12. The looking-glass world of the cinema Index
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