Whether on the big screen or small, films featuring the American Civil War have provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation. Nineteen essays explore all these issues; spanning a wide range of films, from the silent era to the present, as well as several television mini-series, this volume provides a critical conversation about the Civil War on film.
Whether on the big screen or small, films featuring the American Civil War have provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation. Nineteen essays explore all these issues; spanning a wide range of films, from the silent era to the present, as well as several television mini-series, this volume provides a critical conversation about the Civil War on film.
Douglas Brode developed and taught courses for several decades at Syracuse University's Newhouse School of Public Communications until his recent retirement. Shea T. Brode is an independent scholar who has collaborated with his father as editor on several previous collections. Cynthia J. Miller is senior faculty at Emerson College's Institute for the Liberal Arts and Interdisciplinary Studies.
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