'South Asian Media Cultures' examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements.
'South Asian Media Cultures' examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements.
Shakuntala Banaji is an Associate Professor of Media and Communication at the London School of Economics (LSE).
Inhaltsangabe
Introduction; Talking Back to 'Bollywood': Hindi Commercial Cinema in North-East India; 'Adverts Make Me Want to Break the Television': Indian Children and their Audiovisual Media Environment in Three Contrasting Locations; Urdu for Image: Understanding Bangladeshi Cinema through its Theatres; Musical Media and Cosmopolitanism in Nepal's Popular Music, 1950-2006; Private Satellite Television and the Geo-Politics of Moderation in Pakistan; Forgetting to Remember: The Privatisation of the Public, the Economisation of Hindutva, and the Medialisation of Genocide; Myth - The National Form: Mission Istanbul and Muslim Representation in Hindi Popular Cinema; A Peace of Soap: Representations of Peace and Conflict in Popular Teledramas in Sri Lanka; Destigmatising Star Texts - Honour and Shame among Muslim Women in Pakistani Cinema; Through the Lens of a 'Branded Criminal': The Politics of Marginal Cinema in India; Pakistani Students' Uses of New Media to Construct a Narrative of Dissent; Expanding the Art of the Possible: Leveraging Citizen Journalism and User Generated Content (USG) for Peace in Sri Lanka; Conclusion; List of Contributors
Introduction; Talking Back to 'Bollywood': Hindi Commercial Cinema in North-East India; 'Adverts Make Me Want to Break the Television': Indian Children and their Audiovisual Media Environment in Three Contrasting Locations; Urdu for Image: Understanding Bangladeshi Cinema through its Theatres; Musical Media and Cosmopolitanism in Nepal's Popular Music, 1950-2006; Private Satellite Television and the Geo-Politics of Moderation in Pakistan; Forgetting to Remember: The Privatisation of the Public, the Economisation of Hindutva, and the Medialisation of Genocide; Myth - The National Form: Mission Istanbul and Muslim Representation in Hindi Popular Cinema; A Peace of Soap: Representations of Peace and Conflict in Popular Teledramas in Sri Lanka; Destigmatising Star Texts - Honour and Shame among Muslim Women in Pakistani Cinema; Through the Lens of a 'Branded Criminal': The Politics of Marginal Cinema in India; Pakistani Students' Uses of New Media to Construct a Narrative of Dissent; Expanding the Art of the Possible: Leveraging Citizen Journalism and User Generated Content (USG) for Peace in Sri Lanka; Conclusion; List of Contributors
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