1. Introduction: 'What have we here?': acknowledging Shakespeare's romances on screen Sarah Hatchuel and Nathalie Vienne-Guerrin; 2. Thanhouser's fierce abridgement of Cymbeline Lindsay Ann Reid; 3. Looking (at) women in the BBC Pericles Edel Semple; 4. Scenes from Cymbeline and early television studio drama John Wyver; 5. Romance for television: the BBC Cymbeline Robert S. White; 6. The Winter's Tale: comparing the Polish Television Theatre and the BBC versions Jacek Fabiszak; 7. The Winter's Tale's spectral endings: death, dance and doubling Judith Buchanan; 8. Shakespeare's puppets: The Tempest and The Winter's Tale in the Animated Tales Maddalena Pennacchia; 9. 'Something rich and strange': Jarman's defamiliarisation of The Tempest Peter J. Smith; 10. The absent masque in three films of The Tempest Russell Jackson; 11. Prospero's Books: hyperreality and the Western imagination Randy Laist; 12. The alternating utopic revisions of The Tempest on film Delilah Bermudez Brataas; 13. Screen magic in Greenaway's Prospero's Books and Taymor's The Tempest Victoria Bladen; 14. Almereyda's Cymbeline: the end of teen Shakespeare Douglas M. Lanier; 15. Ghost towns and alien planets: variations on Prospero's island Kinga Földváry; 16. Grafting The Tempest onto Allégret's Le Bal du Comte d'Orgel Gaëlle Ginestet; 17. The romances on screen: select film-bibliography José Ramón Díaz Fernández; Index.
1. Introduction: 'What have we here?': acknowledging Shakespeare's romances on screen Sarah Hatchuel and Nathalie Vienne-Guerrin; 2. Thanhouser's fierce abridgement of Cymbeline Lindsay Ann Reid; 3. Looking (at) women in the BBC Pericles Edel Semple; 4. Scenes from Cymbeline and early television studio drama John Wyver; 5. Romance for television: the BBC Cymbeline Robert S. White; 6. The Winter's Tale: comparing the Polish Television Theatre and the BBC versions Jacek Fabiszak; 7. The Winter's Tale's spectral endings: death, dance and doubling Judith Buchanan; 8. Shakespeare's puppets: The Tempest and The Winter's Tale in the Animated Tales Maddalena Pennacchia; 9. 'Something rich and strange': Jarman's defamiliarisation of The Tempest Peter J. Smith; 10. The absent masque in three films of The Tempest Russell Jackson; 11. Prospero's Books: hyperreality and the Western imagination Randy Laist; 12. The alternating utopic revisions of The Tempest on film Delilah Bermudez Brataas; 13. Screen magic in Greenaway's Prospero's Books and Taymor's The Tempest Victoria Bladen; 14. Almereyda's Cymbeline: the end of teen Shakespeare Douglas M. Lanier; 15. Ghost towns and alien planets: variations on Prospero's island Kinga Földváry; 16. Grafting The Tempest onto Allégret's Le Bal du Comte d'Orgel Gaëlle Ginestet; 17. The romances on screen: select film-bibliography José Ramón Díaz Fernández; Index.
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