Healy demonstrates how Renaissance alchemy shaped Shakespeare's bawdy but spiritual sonnets, transforming our understanding of Shakespeare's art and beliefs.
Healy demonstrates how Renaissance alchemy shaped Shakespeare's bawdy but spiritual sonnets, transforming our understanding of Shakespeare's art and beliefs.
Margaret Healy is Reader in English and Director of the Centre for Early Modern Studies at the University of Sussex. She teaches many aspects of Renaissance literature and is particularly interested in the cultural history of the body and the interfaces among literature, medicine, science and art. She is the author of Fictions of Disease in Early Modern England: Bodies, Plagues and Politics (2001) and Richard II (1998), and the co-editor of Renaissance Transformations: The Making of English Writing, 1500¿1650 (2009). She edits the new British Medical Journal, Medical Humanities.
Inhaltsangabe
Introduction 1. Alchemical contexts 2. Lovely boy 3. The Dark Mistress and the art of blackness 4. A Lover's Complaint by William Shakespeare 5. Inner looking, alchemy and the creative imagination 6. Conclusion: Shakespeare's poetics of love and religious toleration.
Introduction 1. Alchemical contexts 2. Lovely boy 3. The Dark Mistress and the art of blackness 4. A Lover's Complaint by William Shakespeare 5. Inner looking, alchemy and the creative imagination 6. Conclusion: Shakespeare's poetics of love and religious toleration.
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