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"Alisak, Prany, and Noi--three orphans united by devastating loss--must do what is necessary to survive the perilous landscape of 1960s Laos. When they take shelter in a bombed out field hospital, they meet Vang, a doctor dedicated to helping the wounded at all costs. Soon the teens are serving as motorcycle couriers, delicately navigating their bikes across the fields filled with unexploded bombs, beneath the indiscriminate barrage from the sky. In a world where the landscape and the roads have turned into an ocean of bombs, we follow their grueling days of rescuing civilians and searching…mehr

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Produktbeschreibung
"Alisak, Prany, and Noi--three orphans united by devastating loss--must do what is necessary to survive the perilous landscape of 1960s Laos. When they take shelter in a bombed out field hospital, they meet Vang, a doctor dedicated to helping the wounded at all costs. Soon the teens are serving as motorcycle couriers, delicately navigating their bikes across the fields filled with unexploded bombs, beneath the indiscriminate barrage from the sky. In a world where the landscape and the roads have turned into an ocean of bombs, we follow their grueling days of rescuing civilians and searching for medical supplies, until Vang secures their evacuation on the last helicopters leaving the country. It's a move with irrevocable consequences--and sets them on disparate and treacherous paths across the world"--
Autorenporträt
Paul Yoon is the author of four previous works of fiction: Once the Shore, which was a New York Times Notable Book; Snow Hunters, which won the Young Lions Fiction Award; The Mountain, which was an NPR Best Book of the Year; and Run Me to Earth, which was one of Time’s Must-Read Books of 2020 and longlisted for the Andrew Carnegie Medal for Excellence in Fiction. A recipient of a Guggenheim Fellowship, he lives in the Hudson Valley, New York. .
Rezensionen
'Haunting . . . Run Me to Earth is a beautiful, understated novel which jumps backwards and forwards in time and perspective. Told by a range of narrators, some of whom stand at a slight angle to the main characters, it has a fractured, abstracted feel which mirrors the dissociation caused by early trauma . . . His writing may be restrained, but it is not lacking in lyricism or insight' The Big Issue