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An ethnographic and theoretical analysis of the complexity of identity in post-war Guatemala through a dynamic examination of the state, the Rigoberta Menchu scandal, carnival side-show exhibits, and the popularity of violent horror films.

Produktbeschreibung
An ethnographic and theoretical analysis of the complexity of identity in post-war Guatemala through a dynamic examination of the state, the Rigoberta Menchu scandal, carnival side-show exhibits, and the popularity of violent horror films.
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Autorenporträt
Diane M. Nelson is Associate Professor of Cultural Anthropology at Duke University. She is the author of A Finger in the Wound: Body Politics in Quincentennial Guatemala.