The book is the first collection of essays on Graham Swift's work. As a collaborative effort of scholars from several countries, it looks at his fiction from different interpretative angles, combining a variety of critical and theoretical approaches.
The book is the first collection of essays on Graham Swift's work. As a collaborative effort of scholars from several countries, it looks at his fiction from different interpretative angles, combining a variety of critical and theoretical approaches.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tomasz Dobrogoszcz is assistant professor at the Institute of English Studies at the University of Lodz. Marta Goszczy¿ska is assistant professor at the Institute of English Studies at the University of Lodz.
Inhaltsangabe
Introduction Tomasz Dobrogoszcz and Marta Goszczy ska Part 1: Beginnings and Continuities Chapter 1: Trauma and Confliction in The Sweet-Shop Owner and Waterland Philip Tew Chapter 2: Reticent Detecting: The Evolution of Swift's (Un)Confessing Narrators Anastasia Logotheti Chapter 3: Masculinity as Failure: Male Characters in Learning to Swim and England and Other Stories Katarzyna Ostalska Part 2: Progressions and Evolutions Chapter 4: Nostalgia, Sentiments, and Men in Out of This World Katarzyna Wi ckowska Chapter 5: The Father Delusion in Ever After Tomasz Dobrogoszcz Chapter 6: Filming the Unfilmable: Last Orders on Screen Adam Sumera Chapter 7: Re-Joycing Tomorrow: Graham Swift, Artificial Insemination, and the Question of Literary Paternity Donald Kaczvinsky Part 3: Recent Developments Chapter 8: Forget 'Green English Fields': War(s) in Wish You Were Here Catherine Pesso-Miquel Chapter 9: Spectres of Silence in Wish You Were Here S awomir Konkol Chapter 10: The England in England and Other Stories David Malcolm Chapter 11: Lost for Words: Narration, Language and Communication in England and Other Stories Marta Goszczy ska Chapter 12: 'So How Did You Become a Writer?': Metafictional Concerns in Mothering Sunday Böena Kucäa
Introduction Tomasz Dobrogoszcz and Marta Goszczy ska Part 1: Beginnings and Continuities Chapter 1: Trauma and Confliction in The Sweet-Shop Owner and Waterland Philip Tew Chapter 2: Reticent Detecting: The Evolution of Swift's (Un)Confessing Narrators Anastasia Logotheti Chapter 3: Masculinity as Failure: Male Characters in Learning to Swim and England and Other Stories Katarzyna Ostalska Part 2: Progressions and Evolutions Chapter 4: Nostalgia, Sentiments, and Men in Out of This World Katarzyna Wi ckowska Chapter 5: The Father Delusion in Ever After Tomasz Dobrogoszcz Chapter 6: Filming the Unfilmable: Last Orders on Screen Adam Sumera Chapter 7: Re-Joycing Tomorrow: Graham Swift, Artificial Insemination, and the Question of Literary Paternity Donald Kaczvinsky Part 3: Recent Developments Chapter 8: Forget 'Green English Fields': War(s) in Wish You Were Here Catherine Pesso-Miquel Chapter 9: Spectres of Silence in Wish You Were Here S awomir Konkol Chapter 10: The England in England and Other Stories David Malcolm Chapter 11: Lost for Words: Narration, Language and Communication in England and Other Stories Marta Goszczy ska Chapter 12: 'So How Did You Become a Writer?': Metafictional Concerns in Mothering Sunday Böena Kucäa
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