Based on meticulous research in the archives of some of the most prominent Italian avant-garde writers, Poetry on Stage examines the literary and ideological climate of the sixties and seventies.
Based on meticulous research in the archives of some of the most prominent Italian avant-garde writers, Poetry on Stage examines the literary and ideological climate of the sixties and seventies.
Gianluca Rizzo is the Paul D. and Marilyn Paganucci Associate Professor of Italian Language and Literature at Colby College.
Inhaltsangabe
Introduction Note on Terminology 1. Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant-Garde 2. The Italian Stage in the 1960s 3. A Few Theoretical Notes on Breath and Text 4. An Introduction to Pagliarani’s Theatre 5. Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti Interview with Valentina Valentini Interview with Pippo Di Marca Interview with Nanni Balestrini Interview with Giuliano Scabia Works Cited
Introduction Note on Terminology 1. Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant-Garde 2. The Italian Stage in the 1960s 3. A Few Theoretical Notes on Breath and Text 4. An Introduction to Pagliarani’s Theatre 5. Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti Interview with Valentina Valentini Interview with Pippo Di Marca Interview with Nanni Balestrini Interview with Giuliano Scabia Works Cited
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