Open graves, open minds
Representations of vampires and the Undead from the Enlightenment to the present day
Herausgeber: George, Sam; Hughes, William
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Open graves, open minds
Representations of vampires and the Undead from the Enlightenment to the present day
Herausgeber: George, Sam; Hughes, William
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- Produkterinnerung
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Relates the Undead in literature and other media to questions concerning genre, technology, consumption and social change -- .
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Relates the Undead in literature and other media to questions concerning genre, technology, consumption and social change -- .
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 336
- Erscheinungstermin: 1. Juni 2016
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 516g
- ISBN-13: 9781784993627
- ISBN-10: 178499362X
- Artikelnr.: 45006793
- Verlag: Manchester University Press
- Seitenzahl: 336
- Erscheinungstermin: 1. Juni 2016
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 516g
- ISBN-13: 9781784993627
- ISBN-10: 178499362X
- Artikelnr.: 45006793
Sam George is Senior Lecturer in Literature at the University of Hertfordshire Bill Hughes was recently awarded his doctorate from the University of Sheffield
1. Introduction
Sam George and Bill Hughes 2. The deformed transformed; or, from bloodsucker to Byronic hero: Polidori and the literary vampire
Conrad Aquilina, 3. Sheridan Le Fanu's vampires and Ireland's invited invasion
Julieann Ulin 4. 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction
Dorian Gray, Dracula, and David Reed's 'vampiric painting'
Sam George 5. The vampire as dark and glorious necessity in George Sylvester Viereck's House of the Vampire and Hanns Heinz Ewers' Vampir
Lisa Lampert
Weissig 6. The Undead in the kingdom of shadows: the rise of the cinematic vampire
Stacey Abbott 7. Crossing oceans of time: Stoker, Coppola and the 'new vampire' film
Lindsey Scott 8. 'I feel strong. I feel different': transformations, vampires and language in Buffy the Vampire Slayer
Malgorzata Drewniok 9. 'Gothic Charm School; or, how vampires learned to sparkle'
Catherine Spooner 10. A vampire heaven: the economics of salvation in Dracula and Twilight
Jennifer H. Williams 11. The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body
Sara Wasson and Sarah Artt 12. The postmodern vampire in 'post
race' America: HBO's True Blood
Michelle Smith 13. 'Myriad mirrors: doppelgängers and doubling in The Vampire Diaries'
Kimberley McMahon
Coleman 14. The vampire in the machine: exploring the undead interface
Ivan Phillips 15. 'Legally recognised undead': essence, difference, and assimilation in Daniel Waters's Generation Dead
Bill Hughes 16. The elusive vampire: folklore and fiction
writing My Swordhand is Singing
Marcus Sedgwick Bibliography Index
Sam George and Bill Hughes 2. The deformed transformed; or, from bloodsucker to Byronic hero: Polidori and the literary vampire
Conrad Aquilina, 3. Sheridan Le Fanu's vampires and Ireland's invited invasion
Julieann Ulin 4. 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction
Dorian Gray, Dracula, and David Reed's 'vampiric painting'
Sam George 5. The vampire as dark and glorious necessity in George Sylvester Viereck's House of the Vampire and Hanns Heinz Ewers' Vampir
Lisa Lampert
Weissig 6. The Undead in the kingdom of shadows: the rise of the cinematic vampire
Stacey Abbott 7. Crossing oceans of time: Stoker, Coppola and the 'new vampire' film
Lindsey Scott 8. 'I feel strong. I feel different': transformations, vampires and language in Buffy the Vampire Slayer
Malgorzata Drewniok 9. 'Gothic Charm School; or, how vampires learned to sparkle'
Catherine Spooner 10. A vampire heaven: the economics of salvation in Dracula and Twilight
Jennifer H. Williams 11. The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body
Sara Wasson and Sarah Artt 12. The postmodern vampire in 'post
race' America: HBO's True Blood
Michelle Smith 13. 'Myriad mirrors: doppelgängers and doubling in The Vampire Diaries'
Kimberley McMahon
Coleman 14. The vampire in the machine: exploring the undead interface
Ivan Phillips 15. 'Legally recognised undead': essence, difference, and assimilation in Daniel Waters's Generation Dead
Bill Hughes 16. The elusive vampire: folklore and fiction
writing My Swordhand is Singing
Marcus Sedgwick Bibliography Index
1. Introduction
Sam George and Bill Hughes 2. The deformed transformed; or, from bloodsucker to Byronic hero: Polidori and the literary vampire
Conrad Aquilina, 3. Sheridan Le Fanu's vampires and Ireland's invited invasion
Julieann Ulin 4. 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction
Dorian Gray, Dracula, and David Reed's 'vampiric painting'
Sam George 5. The vampire as dark and glorious necessity in George Sylvester Viereck's House of the Vampire and Hanns Heinz Ewers' Vampir
Lisa Lampert
Weissig 6. The Undead in the kingdom of shadows: the rise of the cinematic vampire
Stacey Abbott 7. Crossing oceans of time: Stoker, Coppola and the 'new vampire' film
Lindsey Scott 8. 'I feel strong. I feel different': transformations, vampires and language in Buffy the Vampire Slayer
Malgorzata Drewniok 9. 'Gothic Charm School; or, how vampires learned to sparkle'
Catherine Spooner 10. A vampire heaven: the economics of salvation in Dracula and Twilight
Jennifer H. Williams 11. The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body
Sara Wasson and Sarah Artt 12. The postmodern vampire in 'post
race' America: HBO's True Blood
Michelle Smith 13. 'Myriad mirrors: doppelgängers and doubling in The Vampire Diaries'
Kimberley McMahon
Coleman 14. The vampire in the machine: exploring the undead interface
Ivan Phillips 15. 'Legally recognised undead': essence, difference, and assimilation in Daniel Waters's Generation Dead
Bill Hughes 16. The elusive vampire: folklore and fiction
writing My Swordhand is Singing
Marcus Sedgwick Bibliography Index
Sam George and Bill Hughes 2. The deformed transformed; or, from bloodsucker to Byronic hero: Polidori and the literary vampire
Conrad Aquilina, 3. Sheridan Le Fanu's vampires and Ireland's invited invasion
Julieann Ulin 4. 'He make in the mirror no reflect': Undead aesthetics and mechanical reproduction
Dorian Gray, Dracula, and David Reed's 'vampiric painting'
Sam George 5. The vampire as dark and glorious necessity in George Sylvester Viereck's House of the Vampire and Hanns Heinz Ewers' Vampir
Lisa Lampert
Weissig 6. The Undead in the kingdom of shadows: the rise of the cinematic vampire
Stacey Abbott 7. Crossing oceans of time: Stoker, Coppola and the 'new vampire' film
Lindsey Scott 8. 'I feel strong. I feel different': transformations, vampires and language in Buffy the Vampire Slayer
Malgorzata Drewniok 9. 'Gothic Charm School; or, how vampires learned to sparkle'
Catherine Spooner 10. A vampire heaven: the economics of salvation in Dracula and Twilight
Jennifer H. Williams 11. The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body
Sara Wasson and Sarah Artt 12. The postmodern vampire in 'post
race' America: HBO's True Blood
Michelle Smith 13. 'Myriad mirrors: doppelgängers and doubling in The Vampire Diaries'
Kimberley McMahon
Coleman 14. The vampire in the machine: exploring the undead interface
Ivan Phillips 15. 'Legally recognised undead': essence, difference, and assimilation in Daniel Waters's Generation Dead
Bill Hughes 16. The elusive vampire: folklore and fiction
writing My Swordhand is Singing
Marcus Sedgwick Bibliography Index