No Room - Recinos, Harold J.
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Recinos' love for poetry dates back to being raised on the tormented streets of the South Bronx and the experience of being abandoned by Latino parents at age twelve. On the streets, Recinos discovered a world of extreme poverty and drugs, until four years later he was taken in by a White Presbyterian minister and guided back into school. When in graduate school in New York City, he befriended Nuyorican poets Miguel Pinero and Pedro Pietri, who encouraged him to write and read poetry at the Nuyorican poets cafe. Recinos' poetry makes a connection between the poetic imagination, social…mehr

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Produktbeschreibung
Recinos' love for poetry dates back to being raised on the tormented streets of the South Bronx and the experience of being abandoned by Latino parents at age twelve. On the streets, Recinos discovered a world of extreme poverty and drugs, until four years later he was taken in by a White Presbyterian minister and guided back into school. When in graduate school in New York City, he befriended Nuyorican poets Miguel Pinero and Pedro Pietri, who encouraged him to write and read poetry at the Nuyorican poets cafe. Recinos' poetry makes a connection between the poetic imagination, social criticism, and the meaning of life together in a diverse society. No Room is poetry that creates a fusion between the personal and the public in verse that is searching, expansive, and walking hurt streets. In this collection, Recinos encourages readers to use their imagination to live into invisible publics and to pause in the places where the voiceless speak. No Room offers images, feelings, and stories that crack dividing walls of hostility and nativist prohibitions and capture the full complexity of life experienced from the barrio to the American public square.
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Autorenporträt
Harold J. Recinos is professor of church and society at the Perkins School of Theology at Southern Methodist University. A cultural anthropologist, he specializes in work and ethnographic literature dealing with undocumented Central American migrants and the Salvadoran diaspora. He has published numerous articles, chapters in collections, and written major works in Latino Theology, including 18 collections of poetry. Recently, two new collections of poetry were released, The Looking Glass: Far and Near and The Place across the River (under review for a Pulitzer Prize). Recinos's poetry has been featured in Anglican Theological Review, Weavings, Sojourners, Anabaptist Witness, The Arts, Perspective, Afro-Hispanic Review, Hispanic Theological Initiative, En Foco, among others. Since the early 1980s, Recinos has worked with and defended the civil and human rights of Salvadoran refugees in the States and in marginal communities in El Salvador.