Matthew B. Karush is Professor of History at George Mason University. He is the author of Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946 and coeditor of The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, both also published by Duke University Press.
Matthew B. Karush is Professor of History at George Mason University. He is the author of Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946 and coeditor of The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, both also published by Duke University Press.
Matthew B. Karush is Professor of History at George Mason University. He is the author of Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946 and coeditor of The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, both also published by Duke University Press.
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Acknowledgments ix Note about Online Resources xi Introduction 1 1. Black in Buenos Aires: Oscar Alemán and the Transnational History of Swing 15 2. Argentines into Latins: The Jazz Histories of Lalo Schifrin and Gato Barbieri 39 3. Cosmopolitan Tango: Astor Piazzolla at Home and Abroad 70 4. The Sound of Latin America: Sandro and the Invention of Balada 108 5. Indigenous Argentina and Revolutionary Latin America: Mercedes Sosa and the Multiple Meanings of Folk Music 142 6. The Music of Globalization: Gustavo Santaollalo and the Production of Rock Latino 179 Conclusion 216 Notes 221 Bibliography 249 Index 263
Acknowledgments ix Note about Online Resources xi Introduction 1 1. Black in Buenos Aires: Oscar Alemán and the Transnational History of Swing 15 2. Argentines into Latins: The Jazz Histories of Lalo Schifrin and Gato Barbieri 39 3. Cosmopolitan Tango: Astor Piazzolla at Home and Abroad 70 4. The Sound of Latin America: Sandro and the Invention of Balada 108 5. Indigenous Argentina and Revolutionary Latin America: Mercedes Sosa and the Multiple Meanings of Folk Music 142 6. The Music of Globalization: Gustavo Santaollalo and the Production of Rock Latino 179 Conclusion 216 Notes 221 Bibliography 249 Index 263
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