An examination of American Orientalist representations of North Africa from 1942 to 1973.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brian T. Edwards is Assistant Professor of English and Comparative Literary Studies at Northwestern University.
Inhaltsangabe
List of Illustrations ix Acknowledgments xi Introduction: Morocco Bound, 1942–1973 1 Part I: Taking Casablanca 1. American Orientalism: Taking Casablanca 29 2. Sheltering Screens: Paul Bowles and Foreign Relations 78 II. Queer Tangier 3. Tangier(s): The Multiple Cold War Contexts of the International Zone 121 4. Disorienting the National Subject: Burroughs's Tangier, Hitchcock's Marrakech 158 5. Three Serious Writers Two Serious Authors: Jane Bowles, Mohammed Mrabet, and the Erotics of Collaboration Politics of Translation 198 III. Marrackech Express 6. Hippie Orientalism: The Interpretation of Countercultures 247 Notes 303 Works Cited 335 Index 351
List of Illustrations ix Acknowledgments xi Introduction: Morocco Bound, 1942–1973 1 Part I: Taking Casablanca 1. American Orientalism: Taking Casablanca 29 2. Sheltering Screens: Paul Bowles and Foreign Relations 78 II. Queer Tangier 3. Tangier(s): The Multiple Cold War Contexts of the International Zone 121 4. Disorienting the National Subject: Burroughs's Tangier, Hitchcock's Marrakech 158 5. Three Serious Writers Two Serious Authors: Jane Bowles, Mohammed Mrabet, and the Erotics of Collaboration Politics of Translation 198 III. Marrackech Express 6. Hippie Orientalism: The Interpretation of Countercultures 247 Notes 303 Works Cited 335 Index 351
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