Introduction - Julia Boffey and Christiania Whitehead Editings Issues in Middle English Lyrics - Thomas G. Duncan Moving Lights: An Affective Reading of On leome is in þis world ilist and Church Wall Paintings - Ayoush Lazikani Blood and Chocolate: Affective Layering in Swete Ihesu, now wil I synge - Daniel McCann Textual and Affective Stability in All Other Love is Like the Moon - Michael Kuczynski The Unlikely Landscapes of On God Ureisun of Ure Lefdi - Annie Sutherland 'Adreynt in shennesse': Blood, Shame and Contrition in Quis est iste qui uenit de Edom? - Hetta Elizabeth Howes Ihesus woundes so wide and the fons vitae: Text, Image and the Manuscript Context - Natalie Jones 'Written in gold upon a purple stain': Mariological Rhetoric and the Material Culture of Aureate Diction - Anne Marie D'Arcy Textual Lyricism in Lydgate's Fifteen Joys and Sorrows of Mary - Mary Wellesley Voice and Response: Lyric Rewriting of the Song of Songs - Anne Baden-Daintree Compiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049 - Katherine Zieman Lyric Interventions in Troilus and Criseyde - Elizabeth Robertson Poems that Speak Volumes: Lydgate's Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey 'Short song is good in ale': Charles d'Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis Renevey All Adam's Children: The Early Middle English Lyric Sequence in Oxford, Jesus College, MS 29 (II) - Susanna Fein Musical and Poetic Form in Stond wel, moder, under rode - Christiania Whitehead Tutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. Flannery Have This in Mind: Word and Image in Audelay's Writing - Jane Griffiths 'The Dance of the Intellect among Words': Wyatt's In eternum and Late Medieval Lyric Practice - Joel Grossman Afterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. Hirsh Bibliography
Introduction - Julia Boffey and Christiania Whitehead Editings Issues in Middle English Lyrics - Thomas G. Duncan Moving Lights: An Affective Reading of On leome is in þis world ilist and Church Wall Paintings - Ayoush Lazikani Blood and Chocolate: Affective Layering in Swete Ihesu, now wil I synge - Daniel McCann Textual and Affective Stability in All Other Love is Like the Moon - Michael Kuczynski The Unlikely Landscapes of On God Ureisun of Ure Lefdi - Annie Sutherland 'Adreynt in shennesse': Blood, Shame and Contrition in Quis est iste qui uenit de Edom? - Hetta Elizabeth Howes Ihesus woundes so wide and the fons vitae: Text, Image and the Manuscript Context - Natalie Jones 'Written in gold upon a purple stain': Mariological Rhetoric and the Material Culture of Aureate Diction - Anne Marie D'Arcy Textual Lyricism in Lydgate's Fifteen Joys and Sorrows of Mary - Mary Wellesley Voice and Response: Lyric Rewriting of the Song of Songs - Anne Baden-Daintree Compiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049 - Katherine Zieman Lyric Interventions in Troilus and Criseyde - Elizabeth Robertson Poems that Speak Volumes: Lydgate's Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey 'Short song is good in ale': Charles d'Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis Renevey All Adam's Children: The Early Middle English Lyric Sequence in Oxford, Jesus College, MS 29 (II) - Susanna Fein Musical and Poetic Form in Stond wel, moder, under rode - Christiania Whitehead Tutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. Flannery Have This in Mind: Word and Image in Audelay's Writing - Jane Griffiths 'The Dance of the Intellect among Words': Wyatt's In eternum and Late Medieval Lyric Practice - Joel Grossman Afterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. Hirsh Bibliography
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