This book proposes a new direction for the study of Spanish literature of the 1940s, 1950s and early 1960s, arguing that novels of this period merit a fresh critical approach that enriches existing perspectives on the Spanish novel during the first two decades of the Franco dictatorship. Essays take an interdisciplinary approach to reveal how contemporary cultural theory relating to memory and trauma can enhance our understanding of the postwar Spanish novel.
This book proposes a new direction for the study of Spanish literature of the 1940s, 1950s and early 1960s, arguing that novels of this period merit a fresh critical approach that enriches existing perspectives on the Spanish novel during the first two decades of the Franco dictatorship. Essays take an interdisciplinary approach to reveal how contemporary cultural theory relating to memory and trauma can enhance our understanding of the postwar Spanish novel.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sarah Leggott is associate professor of Spanish and head of the School of Languages and Cultures at Victoria University of Wellington. Ross Woods is a lecturer in Spanish at Victoria University of Wellington.
Inhaltsangabe
Contents Introduction Sarah Leggott and Ross Woods Section One. Revisiting the Past: Memory and History The Ghosts of the Past: Revisiting La familia de Pascual Duarte Ross Woods Remembering the Canon: La familia de Pascual Duarte and Nada revisited Anne Walsh War, History, and Memory in Arturo Barea's La forja de un rebelde Alison Ribeiro de Menezes Memory and History in Ana María Matute's Los soldados lloran de noche Francis Lough Section Two. Reading the Wounded Generation: Pluralistic Trauma Opening and Closing History's Wounds: Mercedes Salisachs' Los que se quedan Christine Arkinstall Representing Individual and Collective Trauma: Dolores Medio's Nosotros, los Rivero Sarah Leggott Ignacio Aldecoa's El fulgor y la sangre: The Politics of Memory under Franco Julia van Luijk Section Three. Narrating Traumatic Experience: Uncovered Trauma "The Unsuspected Truth": Silence and Trauma in Carmen Laforet's Nada Federico Bonaddio The Trauma of Coming of Age in Rosa Chacel's Memorias de Leticia Valle and Ana María Matute's Primera memoria Daniela Omlor The Cathartic Exercise of Memory in María Zambrano's Delirio y destino Beatriz Caballero Rodríguez Bibliography About the Contributors
Contents Introduction Sarah Leggott and Ross Woods Section One. Revisiting the Past: Memory and History The Ghosts of the Past: Revisiting La familia de Pascual Duarte Ross Woods Remembering the Canon: La familia de Pascual Duarte and Nada revisited Anne Walsh War, History, and Memory in Arturo Barea's La forja de un rebelde Alison Ribeiro de Menezes Memory and History in Ana María Matute's Los soldados lloran de noche Francis Lough Section Two. Reading the Wounded Generation: Pluralistic Trauma Opening and Closing History's Wounds: Mercedes Salisachs' Los que se quedan Christine Arkinstall Representing Individual and Collective Trauma: Dolores Medio's Nosotros, los Rivero Sarah Leggott Ignacio Aldecoa's El fulgor y la sangre: The Politics of Memory under Franco Julia van Luijk Section Three. Narrating Traumatic Experience: Uncovered Trauma "The Unsuspected Truth": Silence and Trauma in Carmen Laforet's Nada Federico Bonaddio The Trauma of Coming of Age in Rosa Chacel's Memorias de Leticia Valle and Ana María Matute's Primera memoria Daniela Omlor The Cathartic Exercise of Memory in María Zambrano's Delirio y destino Beatriz Caballero Rodríguez Bibliography About the Contributors
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