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He had a telescope in fixed position, a half-dozen semi-domesticated pet raccoons, and a trove of alcoholic beverages. Had other things, including the normal pots and pans, drinking vessels, a .357 magnum 8-shot Smith and Wesson revolver and, at great expense, a battery-driven water purification distillery fed from the nearby creek. Had nine dark suits of various weights and shades of blue. He also owned a supply of mysterious-looking ties ordered from the Duchamp Company in London, England. Dressed thus, no one bothered him or suspected the sort of person that he was.

Produktbeschreibung
He had a telescope in fixed position, a half-dozen semi-domesticated pet raccoons, and a trove of alcoholic beverages. Had other things, including the normal pots and pans, drinking vessels, a .357 magnum 8-shot Smith and Wesson revolver and, at great expense, a battery-driven water purification distillery fed from the nearby creek. Had nine dark suits of various weights and shades of blue. He also owned a supply of mysterious-looking ties ordered from the Duchamp Company in London, England. Dressed thus, no one bothered him or suspected the sort of person that he was.
Autorenporträt
Tito Perdue was born in 1938 in Chile, the son of an electrical engineer from Alabama. The family returned to Alabama in 1941, where Tito graduated from the Indian Springs School, a private academy near Birmingham, in 1956. He then attended Antioch College in Ohio for a year, before being expelled for cohabitating with a female student, Judy Clark. In 1957, they were married, and remain so today. He graduated from the University of Texas in 1961, and spent some time working in New York City, an experience which garnered him his life-long hatred of urban life. After holding positions at various university libraries, Tito has devoted himself full-time to writing since 1983. He is the author of twenty-three novels, which have been praised in The New York Times, The Los Angeles Reader, The New England Review of Books, Chronicles: A Magazine of American Culture, The Quarterly Review, The Occidental Observer, and at Counter-Currents. In 2015, he received the H. P. Lovecraft Prize for Literature.