Andere Kunden interessierten sich auch für
![Crazy about Dymphna: The Story of a Girl Who Drove a Medieval City Mad]( "Crazy about Dymphna: The Story of a Girl Who Drove a Medieval City Mad")
Crazy about Dymphna: The Story of a Girl Who Drove a Medieval City Mad55,99 €![Augustinian Art and Meditation in Renaissance Florence: The Choir Altarpieces of Santo Spirito 1480-1510]( "Augustinian Art and Meditation in Renaissance Florence: The Choir Altarpieces of Santo Spirito 1480-1510")
Augustinian Art and Meditation in Renaissance Florence: The Choir Altarpieces of Santo Spirito 1480-1510194,99 €![Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece]( "Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece")
Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece180,99 €![Quid Est Sacramentum?: Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700]( "Quid Est Sacramentum?: Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700")
Quid Est Sacramentum?: Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700277,99 €![Giotto (1266 or 1276-1377); the Frescoes in the Arena Chapel, Padua]( "Giotto (1266 or 1276-1377); the Frescoes in the Arena Chapel, Padua")
Giotto (1266 or 1276-1377); the Frescoes in the Arena Chapel, Padua28,99 €![The Complete Woodcuts of Albrecht Dürer (Dover Fine Art, History of Art)]( "The Complete Woodcuts of Albrecht Dürer (Dover Fine Art, History of Art)")
The Complete Woodcuts of Albrecht Dürer (Dover Fine Art, History of Art)38,99 €![Cimabue: High Renaissance and Mannerism 1510-1600]( "Cimabue: High Renaissance and Mannerism 1510-1600")
Cimabue: High Renaissance and Mannerism 1510-1600101,99 €
In 1524 Lorenzo Lotto (Venice, 1480-Loreto, 1556), one of the greatest Italian artists of the Renaissance, painted the walls of a small oratory. The building, owned by Battista Suardi, the nobleman who had commissioned the frescoes, was situated in the garden of his country house at Trescore Balneario, a few miles from Bergamo. A series of explanatory diagrams and close-up photographs, on a one-to-one scale, permit the reader to appreciate the high formal qualities of this cycle of paintings and to get to the heart of its beauty and meaning. In this volume the author, Francesca Cortesi Bosco, traces the dense web of religious and cultural motivations that lie behind Lotto's masterpiece, presenting a fascinating picture of the artistic life of the time and opening up completely new prospects for its interpretation.