Volume 1: Notions of Literature Across Cultures. Volume 2: Literary Genres: An Intercultural Approach. Volume 3+4: Literary Interactions in the Modern World 1+2 Herausgegeben:Lindberg-Wada, Gunilla
Volume 1: Notions of Literature Across Cultures. Volume 2: Literary Genres: An Intercultural Approach. Volume 3+4: Literary Interactions in the Modern World 1+2 Herausgegeben:Lindberg-Wada, Gunilla
Literary History entwirft in systematischer Geschlossenheit eine neue Literaturgeschichtsschreibung mit komparatistischer Perspektive. Die Beiträge der vier englischsprachigen Bände erproben neue Möglichkeiten eines "globalisierten" Literatur-Begriffs und schließen vergleichend die Literaturen aller Kontinente mit ein. Es ist der Versuch eines innovativen neuen Konzepts einer Vergleichenden Literaturwissenschaft. Die Bände gehen aus einem großen schwedischen Komparatistik-Projekt mit internationaler Besetzung hervor.
Literary History entwirft in systematischer Geschlossenheit eine neue Literaturgeschichtsschreibung mit komparatistischer Perspektive. Die Beiträge der vier englischsprachigen Bände erproben neue Möglichkeiten eines "globalisierten" Literatur-Begriffs und schließen vergleichend die Literaturen aller Kontinente mit ein. Es ist der Versuch eines innovativen neuen Konzepts einer Vergleichenden Literaturwissenschaft. Die Bände gehen aus einem großen schwedischen Komparatistik-Projekt mit internationaler Besetzung hervor.
Gunilla Lindberg-Wada, University of Stockholm, Sweden; Stefan Helgesson, University of Uppsala, Sweden; Margareta Petersson, University of Växjö, Sweden; Anders Pettersson, University of Umeå, Sweden.
Inhaltsangabe
Vol. 1: Notions of literature across times and cultures Anders Pettersson, Introduction: Concepts of literature and transcultural literary history; Marja Kaikkonen, Becoming literature: Popular fiction in twentieth-century China; Martin Svensson Ekström, One Lucky Bastard: On the hybrid origins of Chinese "literature"; Gunilla Lindberg-Wada, Japanese literary history writing: the beginnings; Gunilla Gren-Eklund, The pleasure of poetry - Sanskrit poetics and kâvya; Bo Holmberg, Adab and Arabic literature; Leif Lorentzon, Let the house be dead silent: A discussion of literariness in (East) African oral literature; Tord Olsson, Experiences of Orature in Sahelian West Africa Vol. 2: Literary genres: an intercultural approach Gunilla Lindberg-Wada, Literary genres: An intercultural approach; Noriko Thunman, The autobiographical novel /short story "Watakushishôsetsu" in Japanese literature; Lena Rydholm, The theory of ancient Chinese genres; Christina Nygren, Drama for learning and pleasure: Japan, China and India in a comparative perspective; Kerstin Eksell, Genre in early Arabic poetry; Bo Utas, "Genres" in Persian literature 900-1900; Lennart Rydén, Byzantine saints' Lives as a literary genre; Anders Pettersson, Conclusion: A pragmatic perspective on genres and theories of genres Vol. 3: Literary interactions in the modern world Margareta Petersson, Introduction: Cultural encounters between literary cultures. The example of the novel; Per Erik Ljung, Inventing traditions: A comparative perspective on the writing of literary history; Stephen Larsen, African literature, or African literatures? Reflections on a terminological problem; Keiko Kockum, The role of Western literature in the formation of the modern Japanese novel; Bo Holmberg, Transculturating the epic: The Arab awakening and the translation of the Iliad; Stephen Larsen, Euro-African dialogue: Some examples of African hypertexts of European hypotexts Vol. 4: Literary interactions in the modern world Leif Lorentzon, Something very light, perhaps a little educative: Negotiations of cultural hierarchies an the Ghanaian novel in English between Nkrumah and Armah; Nelson González-Ortega, Amerindian and European narratives in interaction; Margareta Petersson, Hybridity in Indian English literature; Stefan Helgesson, Modernism under Portuguese rule: José Craveirinha, Luandino Vieria and the doubleness of colonial discourse; Marja Kaikkonen, The detective in the service of the emperor, the republic, and the communist party; Christina Nygren, Appropriations of European theatre in Japan, China and India; Gail Ramsay, Globalisation and cross-cultural writing in the United Arab Emirates and Oman; Roberta Micallef, Cultural encounters in contemporary Turkish children's literature: Victims or heroes?; Stefan Helgesson, Going global: An afterword
Vol. 1: Notions of literature across times and cultures Anders Pettersson, Introduction: Concepts of literature and transcultural literary history; Marja Kaikkonen, Becoming literature: Popular fiction in twentieth-century China; Martin Svensson Ekström, One Lucky Bastard: On the hybrid origins of Chinese "literature"; Gunilla Lindberg-Wada, Japanese literary history writing: the beginnings; Gunilla Gren-Eklund, The pleasure of poetry - Sanskrit poetics and kâvya; Bo Holmberg, Adab and Arabic literature; Leif Lorentzon, Let the house be dead silent: A discussion of literariness in (East) African oral literature; Tord Olsson, Experiences of Orature in Sahelian West Africa Vol. 2: Literary genres: an intercultural approach Gunilla Lindberg-Wada, Literary genres: An intercultural approach; Noriko Thunman, The autobiographical novel /short story "Watakushishôsetsu" in Japanese literature; Lena Rydholm, The theory of ancient Chinese genres; Christina Nygren, Drama for learning and pleasure: Japan, China and India in a comparative perspective; Kerstin Eksell, Genre in early Arabic poetry; Bo Utas, "Genres" in Persian literature 900-1900; Lennart Rydén, Byzantine saints' Lives as a literary genre; Anders Pettersson, Conclusion: A pragmatic perspective on genres and theories of genres Vol. 3: Literary interactions in the modern world Margareta Petersson, Introduction: Cultural encounters between literary cultures. The example of the novel; Per Erik Ljung, Inventing traditions: A comparative perspective on the writing of literary history; Stephen Larsen, African literature, or African literatures? Reflections on a terminological problem; Keiko Kockum, The role of Western literature in the formation of the modern Japanese novel; Bo Holmberg, Transculturating the epic: The Arab awakening and the translation of the Iliad; Stephen Larsen, Euro-African dialogue: Some examples of African hypertexts of European hypotexts Vol. 4: Literary interactions in the modern world Leif Lorentzon, Something very light, perhaps a little educative: Negotiations of cultural hierarchies an the Ghanaian novel in English between Nkrumah and Armah; Nelson González-Ortega, Amerindian and European narratives in interaction; Margareta Petersson, Hybridity in Indian English literature; Stefan Helgesson, Modernism under Portuguese rule: José Craveirinha, Luandino Vieria and the doubleness of colonial discourse; Marja Kaikkonen, The detective in the service of the emperor, the republic, and the communist party; Christina Nygren, Appropriations of European theatre in Japan, China and India; Gail Ramsay, Globalisation and cross-cultural writing in the United Arab Emirates and Oman; Roberta Micallef, Cultural encounters in contemporary Turkish children's literature: Victims or heroes?; Stefan Helgesson, Going global: An afterword
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