Studies the work of British film-maker and writer Patrick Keiller, German writer W. G. Sebald, and Welsh writer and film-maker Iain Sinclair to illustrate how they represent a highly significant moment in English literature and film's engagement with landscape and environment.
Studies the work of British film-maker and writer Patrick Keiller, German writer W. G. Sebald, and Welsh writer and film-maker Iain Sinclair to illustrate how they represent a highly significant moment in English literature and film's engagement with landscape and environment.
David Anderson is Leverhulme Early Career Fellow in the Department of Comparative Literature at Queen Mary University of London. His research interests encompass Anglo-German cultural relations as well as representations of London in literature and film. He has recently been engaged as a Research Associate in UCL's Urban Laboratory, co-curating the symposium and screening series City, Essay, Film.
Inhaltsangabe
* Introduction * 1: The Camera-I: Patrick Keiller's Early Short Films and Essays * 2: A Vagrant Sensibility: Patrick Keiller's Robinson Films * 3: W.G. Sebald's Early Writing: 'A European At The End of European Civilization' * 4: An English Pilgrim: Sebald's The Rings of Saturn and Austerlitz * 5: Iain Sinclair's Early Writing: The Arcane Scholarship of Place * 6: Crosses, Circles, and Madness: Iain Sinclair's Lights Out for the Territory, London Orbital, and Edge of the Orison * Conclusion
* Introduction * 1: The Camera-I: Patrick Keiller's Early Short Films and Essays * 2: A Vagrant Sensibility: Patrick Keiller's Robinson Films * 3: W.G. Sebald's Early Writing: 'A European At The End of European Civilization' * 4: An English Pilgrim: Sebald's The Rings of Saturn and Austerlitz * 5: Iain Sinclair's Early Writing: The Arcane Scholarship of Place * 6: Crosses, Circles, and Madness: Iain Sinclair's Lights Out for the Territory, London Orbital, and Edge of the Orison * Conclusion
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