Patricia Seed is Professor of History at the University of California, Irvine.
Inhaltsangabe
* Acknowledgments * Introduction: José Limón and La Malinche (Patricia Seed) * Chapter 1. La Malinche: The Inspiration for the Dance (Shelley C. Berg) * Chapter 2. José Limón's La Malinche (Patty Harrington Delaney) * Chapter 3. The Music: Interview with David LaMarche, Musical Director, Limón Company and American Ballet Theater (Patty Harrington Delaney and David LaMarche) * Chapter 4. Visual Communication: Props and Costumes (Carol Maturo) * Chapter 5. Marina, Malinche, Malintzin: Nahua Women and the Spanish Conquest (Susan Kellogg) * Chapter 6. Malinche in Cross-Border Historical Memory (Sonia Hernández) * Chapter 7. José Limón and La Malinche in Mexico: A Chicano Artist Returns Home (Margarita Tortajada Quiroz) * Chapter 8. The Director: Thoughts on Staging José Limón's La Malinche (Sarah Stackhouse) * Bibliography * Contributors * Index
* Acknowledgments * Introduction: José Limón and La Malinche (Patricia Seed) * Chapter 1. La Malinche: The Inspiration for the Dance (Shelley C. Berg) * Chapter 2. José Limón's La Malinche (Patty Harrington Delaney) * Chapter 3. The Music: Interview with David LaMarche, Musical Director, Limón Company and American Ballet Theater (Patty Harrington Delaney and David LaMarche) * Chapter 4. Visual Communication: Props and Costumes (Carol Maturo) * Chapter 5. Marina, Malinche, Malintzin: Nahua Women and the Spanish Conquest (Susan Kellogg) * Chapter 6. Malinche in Cross-Border Historical Memory (Sonia Hernández) * Chapter 7. José Limón and La Malinche in Mexico: A Chicano Artist Returns Home (Margarita Tortajada Quiroz) * Chapter 8. The Director: Thoughts on Staging José Limón's La Malinche (Sarah Stackhouse) * Bibliography * Contributors * Index
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