This study examines works that address the spatial location of Latinidades, especially Latina, identity by subverting literary history and literary theory through testimonio, hybrid genres, social activism, metafiction, and solidarity.
This study examines works that address the spatial location of Latinidades, especially Latina, identity by subverting literary history and literary theory through testimonio, hybrid genres, social activism, metafiction, and solidarity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kathryn Quinn-Sánchez is Professor at Georgian Court University in Lakewood, New Jersey, USA, where she teaches a variety of courses on Latin American and Latinx literature, culture, and the Spanish language. She received her M.A. from Middlebury College through their graduate program in Madrid, Spain. Dr. Quinn-Sánchez earned her Ph.D. in Romance Languages and Literatures from the University of North Carolina, Chapel Hill, USA. She serves as co-editor of the online, peer-reviewed, scholarly, and creative e-journal Label Me Latina/o. In addition to publishing several articles in the field of literary criticism, Professor Quinn-Sánchez has authored A Literary and Political History of Post-Revolutionary Mexico: Redefining "The Ideal" (2006) as well as Identity in Latin American and Latina Literature: The Struggle to Self-Define in a Global Era Where Space, Capitalism, and Power Rule (2014). In 2015, her edited collection of critical essays was published under the title Negotiating Latinidades, Understanding Identities within Space.
Inhaltsangabe
Table of Contents Introduction. Section I. REJECT Chapter 1. Rejecting Eden's Limits/Choosing Freedom: Belli's El infinito en la palma de la mano Chapter 2. Rejecting Labels/Choosing Hope through Self-Definition: Sandra Cisneros' The House on Mango Street Chapter 3. Rejecting Failed Hegemony: Capitalism and Borderland Violence in Ana Castillo's The Guardians Chapter 4. Rejecting National Mores/There is No Country for Homosexuals: Cherríe Moraga's The Hungry Woman Section II. CONTEST Chapter 5. Contesting Love as Defined by Popular Culture/Redefining Self-Love: Denise Chávez' Loving Pedro Infante Chapter 6. Contesting the Nation-State's Reach for Power: Marcela Serrano's La llorona Chapter 7. Contesting Traditional Patriarchal Definitions of Theory: Norma E. Cantú's Canícula Chapter 8. Contesting Anglo-Feminism and Academic Space/Redefining the Academy from Within: Telling to Live, Latina Feminist Testimonios Section III. SUBVERT Chapter 9. Subverting Patriarchy, the Nation-State and Redefining Society: Gioconda Belli's El País de las mujeres Chapter 10. Subverting HIStory, Space and Power: Conclusions Selected Bibliography Index About the author
Table of Contents Introduction. Section I. REJECT Chapter 1. Rejecting Eden's Limits/Choosing Freedom: Belli's El infinito en la palma de la mano Chapter 2. Rejecting Labels/Choosing Hope through Self-Definition: Sandra Cisneros' The House on Mango Street Chapter 3. Rejecting Failed Hegemony: Capitalism and Borderland Violence in Ana Castillo's The Guardians Chapter 4. Rejecting National Mores/There is No Country for Homosexuals: Cherríe Moraga's The Hungry Woman Section II. CONTEST Chapter 5. Contesting Love as Defined by Popular Culture/Redefining Self-Love: Denise Chávez' Loving Pedro Infante Chapter 6. Contesting the Nation-State's Reach for Power: Marcela Serrano's La llorona Chapter 7. Contesting Traditional Patriarchal Definitions of Theory: Norma E. Cantú's Canícula Chapter 8. Contesting Anglo-Feminism and Academic Space/Redefining the Academy from Within: Telling to Live, Latina Feminist Testimonios Section III. SUBVERT Chapter 9. Subverting Patriarchy, the Nation-State and Redefining Society: Gioconda Belli's El País de las mujeres Chapter 10. Subverting HIStory, Space and Power: Conclusions Selected Bibliography Index About the author
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