Kathryn Quinn-Sánchez
Identity in Latin American and Latina Literature
The Struggle to Self-Define In a Global Era Where Space, Capitalism, and Power Rule
Kathryn Quinn-Sánchez
Identity in Latin American and Latina Literature
The Struggle to Self-Define In a Global Era Where Space, Capitalism, and Power Rule
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This study examines works that address the spatial location of Latinidades, especially Latina, identity by subverting literary history and literary theory through testimonio, hybrid genres, social activism, metafiction, and solidarity.
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This study examines works that address the spatial location of Latinidades, especially Latina, identity by subverting literary history and literary theory through testimonio, hybrid genres, social activism, metafiction, and solidarity.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: RLPG/Galleys
- Seitenzahl: 144
- Erscheinungstermin: 23. Mai 2016
- Englisch
- Abmessung: 229mm x 152mm x 8mm
- Gewicht: 220g
- ISBN-13: 9781498508414
- ISBN-10: 1498508413
- Artikelnr.: 45010369
- Verlag: RLPG/Galleys
- Seitenzahl: 144
- Erscheinungstermin: 23. Mai 2016
- Englisch
- Abmessung: 229mm x 152mm x 8mm
- Gewicht: 220g
- ISBN-13: 9781498508414
- ISBN-10: 1498508413
- Artikelnr.: 45010369
Kathryn Quinn-Sánchez is Professor at Georgian Court University in Lakewood, New Jersey, USA, where she teaches a variety of courses on Latin American and Latinx literature, culture, and the Spanish language. She received her M.A. from Middlebury College through their graduate program in Madrid, Spain. Dr. Quinn-Sánchez earned her Ph.D. in Romance Languages and Literatures from the University of North Carolina, Chapel Hill, USA. She serves as co-editor of the online, peer-reviewed, scholarly, and creative e-journal Label Me Latina/o. In addition to publishing several articles in the field of literary criticism, Professor Quinn-Sánchez has authored A Literary and Political History of Post-Revolutionary Mexico: Redefining "The Ideal" (2006) as well as Identity in Latin American and Latina Literature: The Struggle to Self-Define in a Global Era Where Space, Capitalism, and Power Rule (2014). In 2015, her edited collection of critical essays was published under the title Negotiating Latinidades, Understanding Identities within Space.
Table of Contents Introduction. Section I. REJECT Chapter 1. Rejecting
Eden's Limits/Choosing Freedom: Belli's El infinito en la palma de la mano
Chapter 2. Rejecting Labels/Choosing Hope through Self-Definition: Sandra
Cisneros' The House on Mango Street Chapter 3. Rejecting Failed Hegemony:
Capitalism and Borderland Violence in Ana Castillo's The Guardians Chapter
4. Rejecting National Mores/There is No Country for Homosexuals: Cherríe
Moraga's The Hungry Woman Section II. CONTEST Chapter 5. Contesting Love as
Defined by Popular Culture/Redefining Self-Love: Denise Chávez' Loving
Pedro Infante Chapter 6. Contesting the Nation-State's Reach for Power:
Marcela Serrano's La llorona Chapter 7. Contesting Traditional Patriarchal
Definitions of Theory: Norma E. Cantú's Canícula Chapter 8. Contesting
Anglo-Feminism and Academic Space/Redefining the Academy from Within:
Telling to Live, Latina Feminist Testimonios Section III. SUBVERT Chapter
9. Subverting Patriarchy, the Nation-State and Redefining Society: Gioconda
Belli's El País de las mujeres Chapter 10. Subverting HIStory, Space and
Power: Conclusions Selected Bibliography Index About the author
Eden's Limits/Choosing Freedom: Belli's El infinito en la palma de la mano
Chapter 2. Rejecting Labels/Choosing Hope through Self-Definition: Sandra
Cisneros' The House on Mango Street Chapter 3. Rejecting Failed Hegemony:
Capitalism and Borderland Violence in Ana Castillo's The Guardians Chapter
4. Rejecting National Mores/There is No Country for Homosexuals: Cherríe
Moraga's The Hungry Woman Section II. CONTEST Chapter 5. Contesting Love as
Defined by Popular Culture/Redefining Self-Love: Denise Chávez' Loving
Pedro Infante Chapter 6. Contesting the Nation-State's Reach for Power:
Marcela Serrano's La llorona Chapter 7. Contesting Traditional Patriarchal
Definitions of Theory: Norma E. Cantú's Canícula Chapter 8. Contesting
Anglo-Feminism and Academic Space/Redefining the Academy from Within:
Telling to Live, Latina Feminist Testimonios Section III. SUBVERT Chapter
9. Subverting Patriarchy, the Nation-State and Redefining Society: Gioconda
Belli's El País de las mujeres Chapter 10. Subverting HIStory, Space and
Power: Conclusions Selected Bibliography Index About the author
Table of Contents Introduction. Section I. REJECT Chapter 1. Rejecting
Eden's Limits/Choosing Freedom: Belli's El infinito en la palma de la mano
Chapter 2. Rejecting Labels/Choosing Hope through Self-Definition: Sandra
Cisneros' The House on Mango Street Chapter 3. Rejecting Failed Hegemony:
Capitalism and Borderland Violence in Ana Castillo's The Guardians Chapter
4. Rejecting National Mores/There is No Country for Homosexuals: Cherríe
Moraga's The Hungry Woman Section II. CONTEST Chapter 5. Contesting Love as
Defined by Popular Culture/Redefining Self-Love: Denise Chávez' Loving
Pedro Infante Chapter 6. Contesting the Nation-State's Reach for Power:
Marcela Serrano's La llorona Chapter 7. Contesting Traditional Patriarchal
Definitions of Theory: Norma E. Cantú's Canícula Chapter 8. Contesting
Anglo-Feminism and Academic Space/Redefining the Academy from Within:
Telling to Live, Latina Feminist Testimonios Section III. SUBVERT Chapter
9. Subverting Patriarchy, the Nation-State and Redefining Society: Gioconda
Belli's El País de las mujeres Chapter 10. Subverting HIStory, Space and
Power: Conclusions Selected Bibliography Index About the author
Eden's Limits/Choosing Freedom: Belli's El infinito en la palma de la mano
Chapter 2. Rejecting Labels/Choosing Hope through Self-Definition: Sandra
Cisneros' The House on Mango Street Chapter 3. Rejecting Failed Hegemony:
Capitalism and Borderland Violence in Ana Castillo's The Guardians Chapter
4. Rejecting National Mores/There is No Country for Homosexuals: Cherríe
Moraga's The Hungry Woman Section II. CONTEST Chapter 5. Contesting Love as
Defined by Popular Culture/Redefining Self-Love: Denise Chávez' Loving
Pedro Infante Chapter 6. Contesting the Nation-State's Reach for Power:
Marcela Serrano's La llorona Chapter 7. Contesting Traditional Patriarchal
Definitions of Theory: Norma E. Cantú's Canícula Chapter 8. Contesting
Anglo-Feminism and Academic Space/Redefining the Academy from Within:
Telling to Live, Latina Feminist Testimonios Section III. SUBVERT Chapter
9. Subverting Patriarchy, the Nation-State and Redefining Society: Gioconda
Belli's El País de las mujeres Chapter 10. Subverting HIStory, Space and
Power: Conclusions Selected Bibliography Index About the author