Fatimah Tobing Rony draws on the transnational visual images of Indonesian women as a way to theorize what she calls visual biopoliticsâ the ways visual representation determines which lives are made to matter more than others.
Fatimah Tobing Rony draws on the transnational visual images of Indonesian women as a way to theorize what she calls visual biopoliticsâ the ways visual representation determines which lives are made to matter more than others.
Fatimah Tobing Rony is Professor of Film and Media Studies at the University of California, Irvine, and author of The Third Eye: Race, Cinema, and Ethnographic Spectacle, also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Tongue 1 Introduction. How Do We Look? 3 The Peonies 24 1. Annah la Javanaise 27 Under the Tree 70 2. The Still Dancer 72 The Dressing Down 108 3. Mother Dao 110 Flight 147 4. Nia Dinata 148 Conclusion. The Fourth Eye 187 Notes 191 Bibliography 213 Index 225
Acknowledgments ix Tongue 1 Introduction. How Do We Look? 3 The Peonies 24 1. Annah la Javanaise 27 Under the Tree 70 2. The Still Dancer 72 The Dressing Down 108 3. Mother Dao 110 Flight 147 4. Nia Dinata 148 Conclusion. The Fourth Eye 187 Notes 191 Bibliography 213 Index 225
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