The first comprehensive study in English of Flaubert's least well-known masterpiece, the final version of his Temptation of Saint Anthony (1874). Mary Orr gives new readings of the seven tableaux in Temptation, and new ways of interpreting the work as a paradigm of nineteenth-century French, and indeed European, 'literary science'.
The first comprehensive study in English of Flaubert's least well-known masterpiece, the final version of his Temptation of Saint Anthony (1874). Mary Orr gives new readings of the seven tableaux in Temptation, and new ways of interpreting the work as a paradigm of nineteenth-century French, and indeed European, 'literary science'.
Mary Orr is Professor of French and Director of Postgraduate Research in the School of Humanities at the University of Southampton. She is the author among others of Flaubert: Writing the Masculine (OUP, 2000) and Intertextuality: Debates and Contexts (Polity, 2003) as exemplifying her wide-ranging, interdisciplinary publications on Flaubert, gender, intertextuality and the modern French novel. Her most recent publications and current research are on the dissemination of nineteenth-century French science through intertextual and interpersonal relations.
Inhaltsangabe
Introduction Part One: Thinking Religion(s) 1: Description of Egypt 2: Principalities and Powers 3: The Master Disciple 4: Statements of faith(s) Part Two: Sciences of the gods: gods of the sciences 5: A comédie (sur)humaine 6: The Devil in the Detail 7: Bones of Contention Conclusions Time Lines
Introduction Part One: Thinking Religion(s) 1: Description of Egypt 2: Principalities and Powers 3: The Master Disciple 4: Statements of faith(s) Part Two: Sciences of the gods: gods of the sciences 5: A comédie (sur)humaine 6: The Devil in the Detail 7: Bones of Contention Conclusions Time Lines
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