Drawn from Life
Issues and Themes in Animated Documentary Cinema
Herausgeber: Murray, Jonathan; Ehrlich, Nea
Drawn from Life
Issues and Themes in Animated Documentary Cinema
Herausgeber: Murray, Jonathan; Ehrlich, Nea
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- Produkterinnerung
- Produkterinnerung
Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives.
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Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives.
Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 272
- Erscheinungstermin: 25. August 2020
- Englisch
- Abmessung: 229mm x 155mm x 18mm
- Gewicht: 363g
- ISBN-13: 9781474431828
- ISBN-10: 1474431828
- Artikelnr.: 59908358
- Verlag: Edinburgh University Press
- Seitenzahl: 272
- Erscheinungstermin: 25. August 2020
- Englisch
- Abmessung: 229mm x 155mm x 18mm
- Gewicht: 363g
- ISBN-13: 9781474431828
- ISBN-10: 1474431828
- Artikelnr.: 59908358
Jonathan Murray is Senior Lecturer in Film and Visual Culture at Edinburgh College of Art, University of Edinburgh. Nea Ehrlich is Lecturer in The Department of the Arts at Ben Gurion University of the Negev in Israel.
Nea Ehrlich and Jonathan Murray, 'Editors' Introduction'
Section 1: Past and Present
1.Pascal Lefèvre, 'From Contextualisation to Categorisation of Animated
Documentaries'
2.Mihaela Mihailova, 'Before Sound, there was Soul: The Role of Animation
in Silent Nonfiction Cinema'
3.Nea Ehrlich, 'Indeterminate and Intermediate or Animated Non-Fiction: Why
Now?'
Section 2: Defining Terms and Contexts
4. Paul Ward, 'Animated Documentary, Recollection, 'Re-Enactment' and
Temporality'
5. Leon Gurevitch, 'The Documentary Attraction: Animation, Simulation and
the Rhetoric of Expertise'
6. Paul Wells, 'Never Mind the Bollackers: Here's the Repositories, Sites
and Archives in Non-Fiction Animation'
Section 3: Films and Filmmakers
7. Nanette Kraaikamp, 'Drawings to Remember'
8. Andrew Warstat, 'Adorno, Lewis Klahr and the Shuddering Image'
9. Lawrence Thomas Martinelli, 'The Reasons for Animating Reality: Animated
Documentary and Re-enactment in the Work of Jonas Odell'
10. Jonathan Murray, 'Memory Drawn into the Present: Waltz with Bashir and
Animated Documentary'
Section 4: Practice-based Perspectives
11. Jonathan Hodgson, 'Making The Trouble with Love and Sex'
12. Samantha Moore, ''Does this look right?' Working inside the
collaborative frame'
13. Sheila M. Sofian, 'Creative Challenges in the Production of Documentary
Animation'
Section 1: Past and Present
1.Pascal Lefèvre, 'From Contextualisation to Categorisation of Animated
Documentaries'
2.Mihaela Mihailova, 'Before Sound, there was Soul: The Role of Animation
in Silent Nonfiction Cinema'
3.Nea Ehrlich, 'Indeterminate and Intermediate or Animated Non-Fiction: Why
Now?'
Section 2: Defining Terms and Contexts
4. Paul Ward, 'Animated Documentary, Recollection, 'Re-Enactment' and
Temporality'
5. Leon Gurevitch, 'The Documentary Attraction: Animation, Simulation and
the Rhetoric of Expertise'
6. Paul Wells, 'Never Mind the Bollackers: Here's the Repositories, Sites
and Archives in Non-Fiction Animation'
Section 3: Films and Filmmakers
7. Nanette Kraaikamp, 'Drawings to Remember'
8. Andrew Warstat, 'Adorno, Lewis Klahr and the Shuddering Image'
9. Lawrence Thomas Martinelli, 'The Reasons for Animating Reality: Animated
Documentary and Re-enactment in the Work of Jonas Odell'
10. Jonathan Murray, 'Memory Drawn into the Present: Waltz with Bashir and
Animated Documentary'
Section 4: Practice-based Perspectives
11. Jonathan Hodgson, 'Making The Trouble with Love and Sex'
12. Samantha Moore, ''Does this look right?' Working inside the
collaborative frame'
13. Sheila M. Sofian, 'Creative Challenges in the Production of Documentary
Animation'
Nea Ehrlich and Jonathan Murray, 'Editors' Introduction'
Section 1: Past and Present
1.Pascal Lefèvre, 'From Contextualisation to Categorisation of Animated
Documentaries'
2.Mihaela Mihailova, 'Before Sound, there was Soul: The Role of Animation
in Silent Nonfiction Cinema'
3.Nea Ehrlich, 'Indeterminate and Intermediate or Animated Non-Fiction: Why
Now?'
Section 2: Defining Terms and Contexts
4. Paul Ward, 'Animated Documentary, Recollection, 'Re-Enactment' and
Temporality'
5. Leon Gurevitch, 'The Documentary Attraction: Animation, Simulation and
the Rhetoric of Expertise'
6. Paul Wells, 'Never Mind the Bollackers: Here's the Repositories, Sites
and Archives in Non-Fiction Animation'
Section 3: Films and Filmmakers
7. Nanette Kraaikamp, 'Drawings to Remember'
8. Andrew Warstat, 'Adorno, Lewis Klahr and the Shuddering Image'
9. Lawrence Thomas Martinelli, 'The Reasons for Animating Reality: Animated
Documentary and Re-enactment in the Work of Jonas Odell'
10. Jonathan Murray, 'Memory Drawn into the Present: Waltz with Bashir and
Animated Documentary'
Section 4: Practice-based Perspectives
11. Jonathan Hodgson, 'Making The Trouble with Love and Sex'
12. Samantha Moore, ''Does this look right?' Working inside the
collaborative frame'
13. Sheila M. Sofian, 'Creative Challenges in the Production of Documentary
Animation'
Section 1: Past and Present
1.Pascal Lefèvre, 'From Contextualisation to Categorisation of Animated
Documentaries'
2.Mihaela Mihailova, 'Before Sound, there was Soul: The Role of Animation
in Silent Nonfiction Cinema'
3.Nea Ehrlich, 'Indeterminate and Intermediate or Animated Non-Fiction: Why
Now?'
Section 2: Defining Terms and Contexts
4. Paul Ward, 'Animated Documentary, Recollection, 'Re-Enactment' and
Temporality'
5. Leon Gurevitch, 'The Documentary Attraction: Animation, Simulation and
the Rhetoric of Expertise'
6. Paul Wells, 'Never Mind the Bollackers: Here's the Repositories, Sites
and Archives in Non-Fiction Animation'
Section 3: Films and Filmmakers
7. Nanette Kraaikamp, 'Drawings to Remember'
8. Andrew Warstat, 'Adorno, Lewis Klahr and the Shuddering Image'
9. Lawrence Thomas Martinelli, 'The Reasons for Animating Reality: Animated
Documentary and Re-enactment in the Work of Jonas Odell'
10. Jonathan Murray, 'Memory Drawn into the Present: Waltz with Bashir and
Animated Documentary'
Section 4: Practice-based Perspectives
11. Jonathan Hodgson, 'Making The Trouble with Love and Sex'
12. Samantha Moore, ''Does this look right?' Working inside the
collaborative frame'
13. Sheila M. Sofian, 'Creative Challenges in the Production of Documentary
Animation'