Through an analysis of suicide in Fyodor Dostoevsky's writings, Amy D. Ronner illustrates how his implicit awareness of self-homicide pre-figured theories of prominent suicidologists, shaped both his philosophy and craft as a writer, and forged a ligature between artistry and the pluripresent impulse to self-annihilate.
Through an analysis of suicide in Fyodor Dostoevsky's writings, Amy D. Ronner illustrates how his implicit awareness of self-homicide pre-figured theories of prominent suicidologists, shaped both his philosophy and craft as a writer, and forged a ligature between artistry and the pluripresent impulse to self-annihilate.
Acknowledgments Chapter 1: Introduction: Suicide as a Social Fact Chapter 2: Fatalistic Convulsions in Notes From the House of the Dead Chapter 3: Egoistic Self-Deceminantion in Crime and Punishment and The Idiot Chapter 4: Anomy in Demons and The Brothers Karamazov Chapter 5: Conclusion: The Antonymous Creative Process Bibliography Index About the Author
Acknowledgments Chapter 1: Introduction: Suicide as a Social Fact Chapter 2: Fatalistic Convulsions in Notes From the House of the Dead Chapter 3: Egoistic Self-Deceminantion in Crime and Punishment and The Idiot Chapter 4: Anomy in Demons and The Brothers Karamazov Chapter 5: Conclusion: The Antonymous Creative Process Bibliography Index About the Author
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