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"She had no idea what to do with love, she experienced it as invasion, as the prelude to loss and pain, she really didn't have a clue." Kathy is a writer. Kathy is getting married. It's the summer of 2017 and the whole world is falling apart. Fast-paced and frantic, Crudo unfolds in real time from the full-throttle perspective of a commitment-phobic artist who may or may not be Kathy Acker. From a Tuscan hotel for the superrich to a Brexit-paralyzed United Kingdom, Kathy spends the first summer of her forties adjusting to the idea of a lifelong commitment. But it's not only Kathy who's…mehr

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Produktbeschreibung
"She had no idea what to do with love, she experienced it as invasion, as the prelude to loss and pain, she really didn't have a clue." Kathy is a writer. Kathy is getting married. It's the summer of 2017 and the whole world is falling apart. Fast-paced and frantic, Crudo unfolds in real time from the full-throttle perspective of a commitment-phobic artist who may or may not be Kathy Acker. From a Tuscan hotel for the superrich to a Brexit-paralyzed United Kingdom, Kathy spends the first summer of her forties adjusting to the idea of a lifelong commitment. But it's not only Kathy who's changing. Fascism is on the rise, truth is dead, the planet is heating up, and Trump is tweeting the world ever-closer to nuclear war. How do you make art, let alone a life, when one rogue tweet could end it all? In Crudo, her first work of fiction, Olivia Laing radically rewires the novel with a fierce, compassionate account of learning to love when the end of the world seems near.
Autorenporträt
Olivia Laing is a widely acclaimed writer and critic. She's the author of seven books, including The Lonely City, Funny Weather and Everybody. Her first novel, Crudo, was a Sunday Times top ten bestseller and won the 2019 James Tait Memorial Prize. Her work has been translated into twenty-one languages and in 2018 she was awarded a Windham-Campbell Prize for non-fiction. She lives in Suffolk, UK.
Rezensionen
Written at a war-mongering time of rising nationalisms, the vitality of Olivia Laing's
questioning love letter to life and to art will blow you away
Deborah Levy