This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one.
This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one.
Edited by Annessa Ann Babic - Contributions by Henri-Simon Blanc-Hoàng; Guillaume de Syon; Christina Dokou; Lynda Goldstein; Melanie Huska; Kara M. Kvaran; Peter W. Lee; James C. Lethbridge; Annick Pellegrin; Micah Rueber; Faiz Sheikh and Beatrice Skordil
Inhaltsangabe
Acknowledgments Introduction France, The Second Comics Market 1.Antiquity and Bandes Dessinées: Schizophrenic Nationalism Between Atlanticism and Marxism Henri-Simon Blanc-Hoàng 2.Did You Learn Your Strip?: The History of France as Comic Fad in the 1970s Guillaume de Syon 3."Ils sont fous ces Gaulois!": Astérix, Lucky Luke, Freedom Fries, and the Love-Hate Relationship Between France and the United States Annick Pellegrin Nation and Revolution 4.Image and Text in Service of the Nation: Historically-themed Comic Books as Civic Education in 1980s Mexico Melanie Huska Images of US Wars 5.Who is Diana Prince?: The Amazon Army Nurse of World War II Peter Lee 6.Wonder Woman as Patriotic Icon: The Amazon Princess for the Nation and Femininity Annessa Ann Babic 7.Comic Containment: No Laughing Matter James C. Lethbridge 8.Graphic/Narrative/History: Defining the Essential Experience(s) of 9/11 Lynda Goldstein Morals, Ethics, and Race 9.Super Gay!: Depictions of Homosexuality in Mainstream Superhero Comics Kara M. Kvaran 10.The Man in the Gray Metal Suit: Dr. Doom, the Fantastic Four, and the Costs of Conformity Micah Rueber 11.Seen City: Frank Miller's Re-Imaging as a Cinematic "New Real" Christina Dokou Dark Logic 12.The Zombie Apocalypse: A Fictional State of Nature? Faiz Sheikh 13.Logicomix and the Enunciatory Apparatus Beatrice Skordili Works Cited Index About the Contributors
Acknowledgments Introduction France, The Second Comics Market 1.Antiquity and Bandes Dessinées: Schizophrenic Nationalism Between Atlanticism and Marxism Henri-Simon Blanc-Hoàng 2.Did You Learn Your Strip?: The History of France as Comic Fad in the 1970s Guillaume de Syon 3."Ils sont fous ces Gaulois!": Astérix, Lucky Luke, Freedom Fries, and the Love-Hate Relationship Between France and the United States Annick Pellegrin Nation and Revolution 4.Image and Text in Service of the Nation: Historically-themed Comic Books as Civic Education in 1980s Mexico Melanie Huska Images of US Wars 5.Who is Diana Prince?: The Amazon Army Nurse of World War II Peter Lee 6.Wonder Woman as Patriotic Icon: The Amazon Princess for the Nation and Femininity Annessa Ann Babic 7.Comic Containment: No Laughing Matter James C. Lethbridge 8.Graphic/Narrative/History: Defining the Essential Experience(s) of 9/11 Lynda Goldstein Morals, Ethics, and Race 9.Super Gay!: Depictions of Homosexuality in Mainstream Superhero Comics Kara M. Kvaran 10.The Man in the Gray Metal Suit: Dr. Doom, the Fantastic Four, and the Costs of Conformity Micah Rueber 11.Seen City: Frank Miller's Re-Imaging as a Cinematic "New Real" Christina Dokou Dark Logic 12.The Zombie Apocalypse: A Fictional State of Nature? Faiz Sheikh 13.Logicomix and the Enunciatory Apparatus Beatrice Skordili Works Cited Index About the Contributors
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