Brian Maidment
Comedy, caricature and the social order, 1820-50
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Brian Maidment
Comedy, caricature and the social order, 1820-50
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- Produkterinnerung
In offering an overview of the market for comic images between 1820 and 1850, this book makes a case for the importance of a largely neglected area of visual culture. It draws on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures.
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In offering an overview of the market for comic images between 1820 and 1850, this book makes a case for the importance of a largely neglected area of visual culture. It draws on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures.
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 256
- Erscheinungstermin: 1. Januar 2018
- Englisch
- Abmessung: 244mm x 170mm x 14mm
- Gewicht: 448g
- ISBN-13: 9781526122872
- ISBN-10: 1526122871
- Artikelnr.: 48810632
- Verlag: Manchester University Press
- Seitenzahl: 256
- Erscheinungstermin: 1. Januar 2018
- Englisch
- Abmessung: 244mm x 170mm x 14mm
- Gewicht: 448g
- ISBN-13: 9781526122872
- ISBN-10: 1526122871
- Artikelnr.: 48810632
Brian Maidment is Professor of the History of Print Culture in the English Department at Liverpool John Moores University
Part 1: Regency and early Victorian graphic humour: Modes and markets 1 'Graphic bric
a
brac'? Approaching early nineteenth
century graphic humour 2 Regency visual culture in the market place 3 Continuity, change and innovation in Regency and early Victorian comic print culture Part 2: The social vision of Regency and early Victorian comic visual culture 4 Reflections in a print shop window: the politics of the public image 5 Robert Seymour: a jobbing artist in the marketplace 6 The 'march of intellect' as a comic event: mockery, heroism and social change 7 Revisiting the Regency: Punch's dustmen Index
a
brac'? Approaching early nineteenth
century graphic humour 2 Regency visual culture in the market place 3 Continuity, change and innovation in Regency and early Victorian comic print culture Part 2: The social vision of Regency and early Victorian comic visual culture 4 Reflections in a print shop window: the politics of the public image 5 Robert Seymour: a jobbing artist in the marketplace 6 The 'march of intellect' as a comic event: mockery, heroism and social change 7 Revisiting the Regency: Punch's dustmen Index
Part 1: Regency and early Victorian graphic humour: Modes and markets 1 'Graphic bric
a
brac'? Approaching early nineteenth
century graphic humour 2 Regency visual culture in the market place 3 Continuity, change and innovation in Regency and early Victorian comic print culture Part 2: The social vision of Regency and early Victorian comic visual culture 4 Reflections in a print shop window: the politics of the public image 5 Robert Seymour: a jobbing artist in the marketplace 6 The 'march of intellect' as a comic event: mockery, heroism and social change 7 Revisiting the Regency: Punch's dustmen Index
a
brac'? Approaching early nineteenth
century graphic humour 2 Regency visual culture in the market place 3 Continuity, change and innovation in Regency and early Victorian comic print culture Part 2: The social vision of Regency and early Victorian comic visual culture 4 Reflections in a print shop window: the politics of the public image 5 Robert Seymour: a jobbing artist in the marketplace 6 The 'march of intellect' as a comic event: mockery, heroism and social change 7 Revisiting the Regency: Punch's dustmen Index