Argues that the largest extant theatrical tradition of the third and second centuries BCE continued to be vital for writers of the first century BCE, especially in helping them to communicate strange and difficult ideas about their personal anxieties and concerns to public audience.
Argues that the largest extant theatrical tradition of the third and second centuries BCE continued to be vital for writers of the first century BCE, especially in helping them to communicate strange and difficult ideas about their personal anxieties and concerns to public audience.
Christopher B. Polt is an Assistant Professor of Classical Studies at Boston College, Massachusetts. He has published extensively on Latin poetry of the Republic and early Empire. He was the recipient of the Linda Dykstra Distinguished Dissertation Award in the Humanities and Fine Arts at the University of North Carolina, Chapel Hill.
Inhaltsangabe
Introduction 1. Through the Comic Looking-Glass 2. The Best Medicine: Comic Cures for Love in the 1st Century BCE 3. Heroic Badness and Catullus' Plautine Plots 4. Naughty Girls: Comic Figures and Gendered Control in Catullus Epilogue. The Show Goes On: From Roman Comedy to Latin Love Elegy Bibliography.
Introduction 1. Through the Comic Looking-Glass 2. The Best Medicine: Comic Cures for Love in the 1st Century BCE 3. Heroic Badness and Catullus' Plautine Plots 4. Naughty Girls: Comic Figures and Gendered Control in Catullus Epilogue. The Show Goes On: From Roman Comedy to Latin Love Elegy Bibliography.
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