A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
Introduction The Domestic versus the Foreign in Eighteenth-century Paris and London Elements of canon Formation at the Concert Spirituel, by Beverly Wilcox To Praise or to criticize? The evolution of music criticism in eighteenth-century France Haydn in the press during the 1780s: How did a Canon Arise? Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century Richard Wagner, concert life, and musical canon in Paris, 1860-1914 An Afterward Bibliography Notes
Introduction The Domestic versus the Foreign in Eighteenth-century Paris and London Elements of canon Formation at the Concert Spirituel, by Beverly Wilcox To Praise or to criticize? The evolution of music criticism in eighteenth-century France Haydn in the press during the 1780s: How did a Canon Arise? Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century Richard Wagner, concert life, and musical canon in Paris, 1860-1914 An Afterward Bibliography Notes
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