British Films of the 1970s CB - Newland, Paul
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British Films of the 1970s offers fresh critical insights into a diverse range of British films of the 1970s including Carry On Girls, O Lucky Man!, Radio On, Winstanley, Cromwell, Akenfield, Requiem for a Village, That'll Be the Day, Pressure, The Shout, The Long Good Friday and The Offence. The book sets out to obtain a clearer understanding of two things - the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. This book shows us that British films of the period - often hybridised in terms of genre - mediate an…mehr

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Produktbeschreibung
British Films of the 1970s offers fresh critical insights into a diverse range of British films of the 1970s including Carry On Girls, O Lucky Man!, Radio On, Winstanley, Cromwell, Akenfield, Requiem for a Village, That'll Be the Day, Pressure, The Shout, The Long Good Friday and The Offence. The book sets out to obtain a clearer understanding of two things - the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. This book shows us that British films of the period - often hybridised in terms of genre - mediate an increasingly diverse and contested culture. It argues that there is no singular narrative to be drawn about British cinema of the 1970s, other than the fact that films of the period offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes. But the book demonstrates that while the 1970s in British filmmaking (but also in British culture and society) was a period of struggle and instability, it was also a period of openings, of experiment, of new ideas, and, as such, of profound change. The book will be of interest to scholars working on British film history and British socio-cultural history, but also British geography. It will appeal to academics, postgraduate and undergraduate students. But it has also been written in a style that will make it accessible to the general reader.
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Autorenporträt
Paul Newland is Lecturer in Film Studies in the Department of Theatre, Film and Television Studies at Aberystwyth University