Black Celebrity examines representations of postbellum black athletes and artist-entertainers by novelists Caryl Phillips and Jeffery Renard Allen and poets Kevin Young, Frank X Walker, Adrian Matejka, and Tyehimba Jess. Inhabiting the perspectives of boxer Jack Johnson and musicians “Blind Tom” Wiggins and Sissieretta Jones, along with several others, these writers both revise understandings of black celebrity history and evince the through-lines between the postbellum era and our own time.
Black Celebrity examines representations of postbellum black athletes and artist-entertainers by novelists Caryl Phillips and Jeffery Renard Allen and poets Kevin Young, Frank X Walker, Adrian Matejka, and Tyehimba Jess. Inhabiting the perspectives of boxer Jack Johnson and musicians “Blind Tom” Wiggins and Sissieretta Jones, along with several others, these writers both revise understandings of black celebrity history and evince the through-lines between the postbellum era and our own time.
Emily Ruth Rutter is an Associate Professor of English at Ball State University in Muncie, Indiana. She is the author of Invisible Ball of Dreams: Literary Representations of Baseball behind the Color Line and The Blues Muse: Race, Gender, and Musical Celebrity in American Poetry, as well as co-editor of Revisiting the Elegy in the Black Lives Matter Era.
Inhaltsangabe
Introduction: Portraits of Black Fame, or The Past as Blueprint for the Present Chapter 1: “my black body / thrown free”: The Legacy of Jack Johnson in Kevin Young’s To Repel Ghosts: The Remix from the Original Masters
Chapter 2: “More of a man than you”: The Many Faces of Jack Johnson in Adrian Matejka’s The Big Smoke Chapter 3: “The Sting of Race and Sport”: Revivifying Isaac Burns Murphy in Frank X Walker’s Isaac Murphy: I Dedicate This Ride
Chapter 4: “the overwhelming evidence of his artistry”: Wiping Away the Minstrel Mask in Caryl Phillips’s Dancing in the Dark
Chapter 5: “Blind Tom, Musical Prodigy of the Age”: Unrecoverability in Jeffery Renard Allen’s Song of the Shank
Chapter 6: “Let this belting be our / unbinding”: Reconceptualizing Black Entertainment in Tyehimba Jess’s Olio Bibliography Endnotes Index
Introduction: Portraits of Black Fame, or The Past as Blueprint for the Present Chapter 1: “my black body / thrown free”: The Legacy of Jack Johnson in Kevin Young’s To Repel Ghosts: The Remix from the Original Masters
Chapter 2: “More of a man than you”: The Many Faces of Jack Johnson in Adrian Matejka’s The Big Smoke Chapter 3: “The Sting of Race and Sport”: Revivifying Isaac Burns Murphy in Frank X Walker’s Isaac Murphy: I Dedicate This Ride
Chapter 4: “the overwhelming evidence of his artistry”: Wiping Away the Minstrel Mask in Caryl Phillips’s Dancing in the Dark
Chapter 5: “Blind Tom, Musical Prodigy of the Age”: Unrecoverability in Jeffery Renard Allen’s Song of the Shank
Chapter 6: “Let this belting be our / unbinding”: Reconceptualizing Black Entertainment in Tyehimba Jess’s Olio Bibliography Endnotes Index
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