Through their production and consumption of bhangra and Asian Underground music in the late 1990s, British Asian youth constructed masculinities and femininities with profoundly uneven implications for ethnic, racial, and national belonging.
Through their production and consumption of bhangra and Asian Underground music in the late 1990s, British Asian youth constructed masculinities and femininities with profoundly uneven implications for ethnic, racial, and national belonging.
Falu Bakrania is Associate Professor of Race and Resistance Studies at San Francisco State University.
Inhaltsangabe
Preface ix Acknowledgments xiii Introduction 1 Part I. The Politics of Production 1. Mainstreaming Masculinity: Bhangra Boyz and Belonging in Britain 33 2. From the Margins to the Mainstream: Asian Underground Artists and the Politics of Not Being Political 70 Part II. The Club Cultures in Consumption 3. The Troubling Subjects of Wayward Asian Girls: Working-Class Women and Bhangra Club Going 117 4. Roomful of Asha: Middle-Class Women and Asian Underground Club Going 160 Conclusion. Bhangra and Asian Underground in the 2000s 187 Notes 203 Bibliography 227 Index 237
Preface ix Acknowledgments xiii Introduction 1 Part I. The Politics of Production 1. Mainstreaming Masculinity: Bhangra Boyz and Belonging in Britain 33 2. From the Margins to the Mainstream: Asian Underground Artists and the Politics of Not Being Political 70 Part II. The Club Cultures in Consumption 3. The Troubling Subjects of Wayward Asian Girls: Working-Class Women and Bhangra Club Going 117 4. Roomful of Asha: Middle-Class Women and Asian Underground Club Going 160 Conclusion. Bhangra and Asian Underground in the 2000s 187 Notes 203 Bibliography 227 Index 237
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