Examining fashion accessories in both novels and fashion discourses, Susan Hiner reframes the feminine accessory as a signifier of modernity and makes an important claim about the "accessory" status of women in nineteenth-century France: as both commodities and consumers, women were in fact "accessories to modernity." Susan Hiner is Associate Professor of French and Francophone Studies at Vassar College.
Examining fashion accessories in both novels and fashion discourses, Susan Hiner reframes the feminine accessory as a signifier of modernity and makes an important claim about the "accessory" status of women in nineteenth-century France: as both commodities and consumers, women were in fact "accessories to modernity."Susan Hiner is Associate Professor of French and Francophone Studies at Vassar College.
List of Illustrations Prologue 1. La Femme comme il (en) faut and the Pursuit of Distinction 2. Unpacking the Corbeille de mariage 3. "Cashmere Fever": Virtue and the Domestication of the Exotic 4. Mademoiselle Ombrelle: Shielding the Fair Sex 5. Fan Fetish: Gender, Nostalgia, and Commodification 6. Between Good Intentions and Ulterior Motives: The Culture of Handbags Epilogue. The Feminine Accessory Notes Bibliography Index Acknowledgments
List of Illustrations Prologue 1. La Femme comme il (en) faut and the Pursuit of Distinction 2. Unpacking the Corbeille de mariage 3. "Cashmere Fever": Virtue and the Domestication of the Exotic 4. Mademoiselle Ombrelle: Shielding the Fair Sex 5. Fan Fetish: Gender, Nostalgia, and Commodification 6. Between Good Intentions and Ulterior Motives: The Culture of Handbags Epilogue. The Feminine Accessory Notes Bibliography Index Acknowledgments
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